#its also just. from my viewing experience. not true

[bisexualgenderfemme]

In many many ways I agree with this post, including the most important thrust of it, but I have to strongly disagree on one small point.

full out saying this:

"when someone knows we're trans we're treated like a woman no matter what." (emphasis mine)

IS NOT TRUE!

maybe this is nitpicky, maybe this is just bad phrasing, but as this is? this is self defeatist, basically doomerism, & honestly makes me really dysphoric. like apparently everyone all the time is thinking about how I'm a woman just bc they know I'm trans? that's not true, plenty of people gender me correctly & actively think of me as a man, even when they know I'm trans.

YES! trans men face abuse & assault & job discrimination & all the other /specific examples/ listed, but this isn't it. Trans men are not doomed to be judged first as a woman in every situation they're in. there are absolutely times when, even though someone knows you (the general 3rd person you) are trans, you are still a man to them.

in fact, this is /part of/ why trans men face unique oppression, to some people you are not a woman, you are a trans man, and /that/ is what is being oppressed. that's part of why anti transmasculinity is its own thing & not just a copy of what cis women face.

This idea that everyone treats me like a woman "no matter what" upon learning I'm trans is directly contradictory to my lived experience. I am personally beyond the point of being viewed as a woman by most transphobic peoples standard bc I've 'ruined' my body so much that the judgement on my being trans I get the most is a third gendering/degendering/monsterizing experience. This is a reality many trans men, myself included, face & saying that everyone always views us as women actually prevents us from seeing our selves represented or getting the help we need.

again! maybe op meant something more like "often times when someone finds out you're trans they treat you like a woman after that no matter what" or "when someone is transphobic & they find out you're trans you often are reduced back to woman." which are both definitely true things I have experienced (tho more earlier in my transition) & I want to give that the benefit of the doubt, but I also don't want trans mascs/trans men to see this, read it as I did, & internalize the idea that everyone is secretly thinking "woman."

You can be viewed as a man! there are many people who will view you as a man whether they know you are trans or not, they will treat you like a man, (though unfortunately that sometimes means some of them treating you like a TRANS man) they will allow you to move through the world as a man. That doesn't mean everyone always will, or that passing isn't context dependent, or that passing privilege is real, or that passing isn't conditional: those are also all true! this is a complicated & nuanced subject where many things are true at once, that's why the finality, the totality, of

"when someone knows we're trans we're treated like a woman no matter what."

rubs me wrong. I don't want other trans men to give up hope.

im not sorry the truth of the transmasculine experience is ugly. i'm not sorry that we have to frequently discuss sexual and physical violence and abuse. i'm not sorry that we have to discuss violent physical abuse and death. i'm not sorry that we have to discuss homelessness, mental illness, addiction, disabilities, and other challenges in life.

we struggle. we do not instantly gain male privilege the second we come out. even if we pass. when someone knows we're trans we're treated like a woman no matter what. we can sometimes get lucky and pass with strangers but eventually people around us find out because people tell each other without our consent.

we face all kinds of abuse due to the fact that people feel entitlement to our bodies, regardless of what our AGAB is. they feel entitled to our faces, our hair, our entire appearance. they focus on the face that we're ruining something "pretty". they threaten corrective sexual violence to remind us that we're "just women". it happens constantly. this is not an isolated incident and virtually nobody wants people to talk about it when it comes to transmasculine people.

trans men often get injured for one reason or another. usually because someone wants to make them "prove" they're a man, to "toughen them up" or to "prove to them that they're a woman". sometimes this results in sexual assault. other times it results in physical assault. and sometimes people just kill trans men. all because they hate that a "woman" can transition into a man.

it's an ugly part of our reality but it needs to be discussed because otherwise people use the lack of that conversation as ammunition to say transmascs don't struggle.

transmasculine people struggle to stay housed. transmasculine people get kicked out of their living situations very often for many reasons. it's hard for transmascs to get jobs because often times people want either a man or a woman for a specific position and fuss over what they think the transmasc's gender is. misgendering is a huge issue at work. going stealth at work can be painful. being in the closet at work can be painful

transmascs are often disabled and struggle to get care due to people not taking AFAB patients' pain and symptoms seriously. this is a huge issue with any kind of AFAB person or any woman. all woman and AFAB people struggle with having their symptoms taken seriously when seeking serious medical attention to the point of possibly being undiagnosed for life, thus being unable to get on disability. trans women face this just as much as AFAB cis women, it's a huge issue in the medical industry

transmasculine people struggle to say on their hormones (or access them at all). testosterone is a controlled substance in many countries which means that you need a prior authorization to get the medication and need to consistently see a provider to get blood tests and check ups. it can be difficult to do so if you are low income and sometimes certain pharmacists will intentionally find ways to withhold hormones due to their own prejudices

transmasculine people struggle to get pregnancy support and care. it is very difficult for transmasculine people to figure out how to navigate their pregnancy, either due to their HRT provider not knowing much about pregnancy, or having a gynecologist who's not familiar with transmasculine health.

transmascs get denied from spaces made for men constantly. even if they pass, if word gets around that they're trans they can easily be kicked out of a space. transmasculine lesbians are often removed from lesbian, transmasc and/or non binary spaces. transmasc butches are often ostracized from all communities their identities correlate to. trans men and transmasc enbies are seen as a threat to women.

there is ugliness in every pocket of the queer community when it comes to how cisheteronormative society treats us. we all face disgusting treatment that needs to be addressed. it's important to consider how this system affects everyone underneath it. we need to talk about the positive things, it's good to help those are questioning, but we also must discuss what struggles we face in order to humanize ourselves and show that we people, too. none of us have it easy.

[quietwingsinthesky]

i really do think the desire to paint ten as unambiguously The Worst™️ when it comes to his relationship with martha is out of this desire to uncomplicate their relationship. to decouple them as friends and people who profoundly impacted each other’s lives. it’s just an easier narrative to swallow: that ten was Awful to her and then martha kicked him to the curb when she realized she was too good for him. easier, maybe, then dealing with the troubles of unrequited affection don’t have to be anyone’s fault, or that ten shut martha out in a lot of ways but let her in in others that he wouldn’t let any other companion near, or that they were still friends, they still wanted to see each other and be around each other, even though it was messy and sometimes hurt. you know?

[sheeezu]

Yes, this is a new account, I just made this. I don't care if people question the authenticity of my post, my experience as a shifter, or whatever I'm about to say.

I don't know how to use Tumblr, nor do I know how to make my post reach people who need it, nor would I be a narcissist and say "you're lucky if you found my post!" I don't mind if this reaches an audience or not, I'm glad to get everything off my chest.

Yes. I've shifted.

I have shifted realities, more times than I can count on my fingers, and that is for a very specific reason, which I'll explain later.

I'm writing this because I'm about to permashift, and no, I won't hear out any antishifters or people who don't like permashifting in general, I don't care about your opinion so don't waste my time.

Before I start, I'd like to say one thing:

I was irrational minded, I lacked belief in myself and shifting. Shifting often times felt like a chore more than a fun activity, and i have to admit, it became an unhealthy habit.

So? Why did I mention this?

Because I had been lurking around shifting communities and I realised everyone feels like this, a very (mentally) painful feeling where the lack of shifts starts acting as your biggest enemy, and the phrase:

"Shifting needs practice!"

Sounds like poison when it comes from an experienced shifter.

Though, is the phrase actually true?

No, not at all.

Shifting does not need practice!!

Here's why:

(BTW, I will explain my "method", no matter if I have time or not. Also, I don't call this reality "Current Reality", instead I call it Void reality, so don't get confused.)

The "practice" you're doing is only affecting your void reality (taking time out of your day, making you constantly think you're in your learning phase, so it doesn't exactly lead to your desired reality, does it?)

Of course, if you view it as a skill, it will in some way act like that, it'll become a skill for you, and you can never succeed on your first, second, third, hundredth try, because in your brain you have registered the fact that shifting is this grand, universal task, and that it is very difficult (because its common sense that you practice difficult things to get good at them)

Practice is a very humane and earthly act, if people have succeeded doing just practice, then good for then, they're right in their own way, but it didn't work for me, and in my opinion it's the worst way to view shifting, and often times it is demotivating, and you'll mess up you're entire journey.

Shifting is not a skill, shifting is a universal law.

I'll become more clear as I explain my journey:

My journey:

I found shifting from a random YouTube video 3 years ago. I might have only said cool and moved along.

A year later something traumatic happened in my life, which shook me so badly I needed an escape.

First of all, I chose astral projecting, but I realised I was too much of a coward to do so.

Then I came towards shifting, first DR was very typical, it was Hogwarts.

Having no knowledge whatsoever in the topics of spirituality, meditation, I went straight to methods, because they were like guides for me, I was very inexperienced, of course, and looked at other people and what they were doing for guidance.

Alice in wonderland method didn't do much, raven method was too uncomfortable (side note, all this raven method does is make you too focused on your void reality, cmon, in your DR are you laying down like a starfish?) And I was having terrible trouble with my intrusive thoughts (which made the floor disappear from under my feet, made the stairs for the stairs method too short to climb or straight up made them dissappear as well)

I didn't have any luck that year, no mini shifts, no lucid dreams, or sleep paralysis. And my DRs never remained constant. They always changed on a daily basis.

I was big on methods, I couldn't realize they never worked for me.

Although, this year of failure led me to finally figure out where I belonged.

A DR made out of scratch, which I spend much effort in putting the pieces of it together.

The DR, which was called "Home reality" really made me feel settled in my journey.

LOA, and the consciousness theory were the leading factors which made me shift.

And don't worry, it isn't what you're tired of being told, I didn't just apply any orthodox definition of LOA and succeeded.

Background to my first shift:

It was a particularly stressful day, I really missed my home.

I was studying at my college (I still am, but...) and I was dreading giving a chemistry test, I did not prepare. In my mind, one thing was constantly looping in my head.

The scenario of the chemistry teacher coming in, and taking the test, and the next day I get it handed back with a big fat zero.

But then I stopped and wondered, having already known about the consciousness theory, so according to it:

"I am constantly letting this thought run in my mind, and constantly letting this reality dictate what happens next."

Basically, I realized what was about to happen next was indirectly in my control, but with my line of thinking, I was letting this reality control it directly.

I stopped, like actually stopped thinking.

And with a blank mind I thought.

"I won't have to take any test today."

And went around telling my classmates this with a confident tone.

The teacher came in, said we'll instead do some practicals in lab.

So the test got cancelled.

Going home, I got excited, i felt powerful.

I decided to apply this to shifting.

Before shifting, I took a nap during the day, (if you're tired your body insists on sleeping, so your mind will get hazy and you will start acting lazy towards your goal)

And after living how I normally would, before bedtime, I listened to some songs, and look at a Pinterest board which reminded me of my home reality.

My method and what happened next:

First phase of shifting:

When I laid down on the bed to start shifting, I first got comfy (for me, if I feel sleepy for some reason, I laid on my back, I can't fall asleep in that position, but if I think ill stay awake until I reach a "detached state" then I sleep on my side, it's comfortable)

I obviously wasn't checking the time, but I spent about 10 minutes getting relaxed, all I do to relax is:

a) look at the blackness (closed eyes, looks like starry skies) and try to believe I'm looking at the milky way.

b) think about my home reality, just faces of my loved ones, and nostalgia inducing images.

c) Affirm, but don't focus entirely on affirming, usually in the back of my mind I'm repeating "I have shifted to my home reality" "I have shifted my senses to my home reality" "I have stopped sensing the void reality" "I am smelling, tasting, feeling, hearing and seeing my home reality" no other fancy affirmations required. (Now that I think about it, you need to affirm NOW because this method has two phases, one where you are shifting, and one where you have shifted, and you are in the 3D, where you are occupying your DR self, their thoughts, and memories, and popular method usually only have one phase, either you are shifting, or have shifted. So my point is if you affirm later and you'll be affirming when you're supposed to be in your DR, and obviously, your DR self won't be spouting out affirmations about shifting to a random reality for no reason.)

During this time, you'll feel tingly all over. It's a good sign.

And you'll feel a certain detachment, like you aren't exactly here, you have no idea what position you're lying in, and where your feet are. (Please, for the love of God do not start counting your feet or get freaked out that you can't feel your leg, you'll come back to the void reality.)

So you can start the next phase.

Middle phase (optional):

To prepare for the next and last phase, you can do this to get ready, or don't (First read the third phase)

This is all about connection to your DR.

Think about memories from your DR, focus on the faces of your loved ones, the way you act, talk, your mannerisms in your DR, or you can simply say affirmations like these one:

My name is ___.

I work as a ___.

My age is ___.

Don't try to imagine vividly or anything, lightly touch upon the basic details of your DR, the construction and foundation of any reality and the person, who has existed there for their entire life.

(That's you!)

Phase three:

Take a sudden, abrupt stop from your stream of thoughts. (Yes intrusive thoughts will still pop up but don't give any importance to them) when you're in a blank state of mind, not longer than 30 seconds, you need to build up to the last step of your shifting method, and journey.

a) start imagining hearing the voices of your loved ones or just any voice, calling your DR name, your nicknames, with different tones. (For example, i heard my name in an angry tone from my father when he was scolding me, I heard my name followed by a laughter when my S/O teased me.)

OK, for me, I started feeling intense, groundshaking symptoms at this moment. Sudden flashing of lights, extreme feeling of floating, and ofcourse, feeling tingliness so much that it felt like pins and needle on my entire body. (I did ignore the symptoms)

b) plan the rest of your day in your DR, which you will be spending.

AGAIN, PLEASE DON'T SAY IT LIKE THIS.

❌️When I reach my DR ❌️ I will have to go to that eye specialist for that appointment.

Instead: (and the more you personalize it, the better)

Ughhh, I have to go to that appointment- this day will suck.

(Don't mind my example, that was the only thing I could think of at the moment)

c) in this reality, you are constantly thinking of something, your thoughts are definitely what constructs this reality, and your current thoughts are affecting your subconscious. (By this point, your subconscious is grounded in your DR, so don't worry about that bastard.)

Now, you're going to start thinking, thoughts which are going on in your DR self's mind, start with one sentence, with which you'll be able to start consciously thinking like your DR self.

And think in the style, tone, and mood of your DR self, and keep the thoughts strictly related to your DR.

Thats it, but what happens afterwards? And what happened to me?

So for me, I started feeling weird while I was thinking.

And I remember I thought this:

"Ugh, I don't want eggs for breakfast."

(I'm not saying this is the key to shifting, at this point, I had covered various topics, including, weather, my upcoming work assignment, and praised my S/O for a good 5 minutes.)

And I started panting, like suddenly I was trying to catch my breath, the room felt bright, so I opened my eyes, and well, I was in my home reality :)

I was delirious for a few second, my S/O was looking at me worriedly, but surprisingly, it didn't even take me a minute to adjust, it felt all so natural and I wasn't scared.

I didn't even feel emotional, at all, and didn't hug my S/O with tears in my eyes, I straight up asked to be served breakfast, incase anyone was wondering.

So that's it.

Although i have much to say, I'm tired of writing, but I'm more than willing to answer each and every one of your questions, although I only have 7 hours left till I permashift, I'll remain mostly active till then.

And no, I'm not rereading this to fix my grammar, so just ask if anything confused you.

Ask away.

I'm still not sure if this'll reach anyone or not.

[viir-tanadhal]

no no listen i see the vision

what were the other ones then

[taliabhattwrites]

I don't think there is a significant or notable number of people who believe transmascs are not oppressed.

I feel slightly insane just having to type this out, but this is rhetoric you inevitably come across if you discuss transfeminism on Tumblr.

The mainstream, cissexist understanding of transmasculine people is the Irreversible Damage narrative (one that's old enough to show up in Transsexual Empire as well) of transmascs as "misguided little girls", "tricked" into "mutilating themselves". It is a deliberately emasculating and transphobic narrative that very explicitly centers on oppression, even if the fevered imaginings misattribute the cause. As anyone who's dealt with the gatekeeping medical establishment knows, they are far from giving away HRT or even consults with both hands, and most transfems I know have a hard enough time convincing people to take DIY T advice, leave alone "tricking" anyone into top surgery.

Arguably, the misogyny that transmasculine folks experience is the defining narrative surrounding their existence, as transmasculinity is frequently and erroneously attributed to "tomboyish women" who resent their position in the patriarchy so much they seek to transition out of it. This rhetoric is an invisiblization of transmasculinity, constructed deliberately to preserve gendered verticality, for if it were possible to "gain status" under the sexed regime, its entire basis, its ideological naturalization, would fall apart.

Honestly, the actual discussions I see are centered around whether "transmisogyny" is a term that should apply to transmascs and transfems alike. While I understand the impetus for that discussion, I feel like the assertion that transmisogyny is a specific oppression that transfems experience for our perceived abandonment of the "male sex" is often conflated with the incorrect idea that we believe transmasculine people are not oppressed at all. This is not true, and we understand, rather acutely, that our society is entirely organized around reproductive exploitation. That is, in fact, the source of transfeminine disposability!

I know I'm someone who "just got here" and there is a history here that I'm not a part of, but so much of that history is speckled with hearsay and fabrication that I can't even attempt to make sense of it. All I know is that I, in 2024, have been called a revived medieval slur for effeminate men by people who attribute certain beliefs to me based on my being a trans woman who is also a feminist, and I simply do not hold those views, nor do I know anyone who sincerely does.

If you're going to attempt to discredit a transfeminist, or transfeminism in general, then please at least do us the courtesy of responding to things we actually say and have actually argued instead of ascribing to us phantom ideologies in a frankly conspiratorial fashion. I also implore people to pay attention to how transphobic rhetoric operates out in the wider world, how actual reactionaries talk about and think of trans people, instead of fixating so hard on internecine social media clique drama that one enters an alternate reality--a phantasm, as Judith Butler would put it.

Speaking of which--do y'all have any idea how overrepresented transmascs are in trans studies and queer theory? Can we like, stop and reckon with reality-as-it-is, instead of hallucinating a transfeminine hegemony where it doesn't exist? I'm aware a lot of their output isn't particularly explicative on the material realities of transmasculine oppression despite their prominence in the academy, but that is ... not the fault of trans women, who face extremely harsh epistemic injustice even in trans studies.

The actual issue is how invisiblized transmasculine oppression is and how the epistemicide that transmasculine people face manifests as a refusal to differentiate between the misogyny all women face, reproductive exploitation in particular, and the contours of violence, erasure, and oppression directed at specifically transmasculine people.

You will notice that is a society-wide problem, motivated by a desire to erase the possibilities of transmasculinity, to the point of not even being willing to name it. You will notice that I am quite familiar with how this works, and how it's completely compatible with a materialist transfeminist framework that analyzes how our oppression is--while distinct--interlinked and stems from the same root.

I sincerely hope that whoever needs to see this post sees it, and that something productive--more productive dialogue, at least--can arise from it.

[smileysuh]

real talk

🌙 starring. Mark Lee x afab!Reader

🔮 preview.“You’re Jeno’s roommate, Jeno’s my friend- I know we’ve just met, but I know things about you.” Hyuck explains. “When you were with your last girl, Jeno used to come to the bar and bitch about you never coming out- he’s been wanting you to meet the rest of the boys for a while, but never wanted to invite us over cuz your last girlfriend had some supernatural cootchie-grip hold on you or something- point is, I know you’re a serial monogamist. Two long-term girlfriends. You like the domestic shit, and I get that- but if you want domestic, it’s not our little Miss Sunshine expo girl. She can’t even sleep next to guys she’s fucked- wakes up at five am, and dips out without a word. Trust me on this, dude, you wanna stay far away from that man-eater.”

tw/cw. Unprotected sex, multiple sex scenes, reader has a hard time cumming, oral (f/m receiving), Mark is a MUNCH, deep throating, fingering, masturbation, use of toys/vibrator, dirty talk, praise, Mark is a simp, sex realism, overthinking during sex, mentions of sexual favours in return for affection, a string of bad ex-lovers, breast worship, creampies, aftercare, finger sucking, drunkenness, etc… I pet names: (hers) sunshine. (his) puppy boy.

👹 rating.18+ explicit I wc. 19.4k

🍭 aus. Restaurant au, line chef!Mark, slow burn, coworkers to lovers, fuck girl who looks like sunshine meets a serial monogamist who looks like a fuckboy, etc…

☀️ mlist + an. I wanted to touch on some realism to kick off the year. Not everything is as easy during sex as it appears in fanfic/p*rn, so I wanted to make something that might be more true to the real experience of afabs who overthink and need extra help to cum- I hope maybe this fic can normalize girls who need some extra machine power to get off ;)

One:

Mark has only been working at his new restaurant for two weeks, but he’s already fallen in love with the place. Morning shifts have been good for him.  With the help of his favorite expo girl - who always takes the time to explain small details and things he’s been messing up on - he’s already gotten used to the menu. Every day feels better and better.

“This tuna is looking so good, Mark,” you grin, inspecting the plate. 

When he’d first been hired, the fish he’d cut had come out mangled, but after talking him through it, you’d both realized it had been a knife issue. Sharpening his blade had led to Mark perfecting his slices, and now, he eagerly awaits your praises when he puts his food up in the expo window. 

Mark’s eyes follow you as you dart off toward the bar, the plate of tuna balanced perfectly in your hand. The new chef can’t help the smile that works its way onto his lips, and he leans forward, hand flat on the cutting board station in front of him.

“This tuna is looking so good, Mark,” Hyuck’s annoying voice snaps him out of his trance, and Mark turns to look at the man next to him. “God, can you two make it any more obvious that you’re into each other?”

“She’s just doing her job,” Mark assures the other line chef, but he can feel his skin heating at the idea.

“Sure she is. But she doesn’t compliment my cooking as much as she does yours.” Hyuck crosses his arms over his chest, letting out a sigh as his gaze shifts to the view through the expo line. You’re at the bar now, chatting with the man who you’ve just served. However, you’re taking longer than normal, and you’re smiling a lot too.

“No fucking way,” Hyuck breathes, leaning forward and narrowing his eyes. “That guy is hitting on her.”

“Is he?” Mark also dips his head toward the expo window, eager for a look.

“Yeah, mans just slipped her his number,” Hyuck laughs. “That’s our little Sunshine though, isn’t it? This restaurant is her playground.”

“What do you mean?” Mark asks.

“Just that she’s quite popular,” Hyuck brushes it off as you approach the expo line again. “Did you get a number, sweet thing?”

“Why, you jealous?” You grin, holding up the slip of paper with digits on it. 

“You wish,” Hyuck scoffs, but Mark gets the feeling there’s something else going on between the two of you, something unspoken. He’s still getting used to the dynamic of the restaurant, and in work spaces like this, relationships aren’t uncommon. He wonders what history you have with Hyuck, wonders what chance he has with you- wonders if it’s even a good idea.

Two

“Luna never runs her own food,” Sumi notes, standing with you by the entrance to the restaurant while you watch the tall waitress lean against the expo window. “I know that our new chef is cute, but, damn.”

“She can do what she wants,” you laugh, wiping down menus. “Makes my job easier.”

“You know, it’s kind of felt like you and Mark have some sort of understanding,” Sumi grins, moving close enough that your hips touch by the host station. “He watches you a lot.”

“Does he?” Your gaze moves back to the expo line.

“Uh huh, almost as much as Hyuck does- which, by the way, you sure did a number on him.”

“Hyuck will get over it, he’s a fuck boy,” you wave your hand. “I’m great at attracting that kind of guy.”

“Do you get fuck boy vibes from Mark?” Sumi wonders, tapping her pen against the top of her Ipad thoughtfully.

“He’s definitely cute enough to be a womanizer, don’t you think?”

“Key word being cute,” Sumi points out. “I don’t know, he doesn't give me fuck boy vibes like the other line chefs do.”

“Well, he’s roommates with Jeno, isn’t he?” Your eyes move to the bar. Jeno’s a night bartender, but his close friend, Renjun is working today. “Jeno’s a fuck boy, he got Hyuck and Jaemin jobs here. They’re both fuck boys. It would make sense if Mark was that kind of guy too.”

“I’m still not convinced,” Sumi states, crossing an arm over her chest. “Speaking of men though- whatever happened to that guy who gave you his number the other day? Are you actually considering a date with him?”

“I already had a date with him,” you admit. 

“Yikes, from the way you haven’t mentioned it at all, I’d guess it didn’t go so well?”

“Meh,” you shrug your shoulders. “He won’t be getting a second date.”

“How many first dates have you been on this year?” Sumi asks. “Didn’t you say it was like… a lot?”

“Too many to count,” you giggle. 

“So what’s the deal with that? Like- what’s your type? I know you were seeing Hyuck for a little while, how come that didn’t work?”

“It just didn’t,” you say, looking down at the menus you’ve wiped clean. “I try not to think about my failures too much.”

“Really? But you could learn so much from them,” Sumi frowns. “I mean- look at me and Doyoung. I was never into the more serious types, always went for fuck boys and younger guys- but after some soul searching, I realized I needed someone older who had their shit together.”

“You also have a thing for guys in powerful positions, and Doyoung is literally one of our managers,” you point out.

“Well, I’m still a work in progress,” Sumi winks. “Anyways- think about it. If you look at your dating patterns, you might be surprised by what you find.”

Three

There’s nothing like the air outside after being in a hot kitchen for a few hours. The lunch rush is finally over, and after having a 20 top that ordered an insane amount of food with an even crazier amount of modifications and allergies, Mark is ready to take a massive puff from his vape pen.

He stands by the back exit to the restaurant, looking out at the cars on the street as he takes a long drag. As he inhales, the door behind Mark opens, and he turns to come face-to-face with you.

The shock of seeing you makes him choke a little, and he begins to cough out a large puff of smoke. Mark’s lungs burn, and his skin feels even hotter, enflamed by the embarrassment of you seeing him take a crappy hit when in reality, he’s a vaping veteran. 

“You good?” you ask, reaching out and gently rubbing his back as you step past him.

“Yeah, I, uh-” Mark’s entire body tingles at the physical contact. “Sorry, you just surprised me.”

“Didn’t mean to scare you,” you grin, stopping in front of him. He notices the way your eyes go to his vape pen, and he immediately holds it out to you.

“Want some?”

“I mean, if you’re offering.” You reach out and accept the sleek black vape. “What’s the flavor?”

“Uh… cotton candy?” God, Mark feels like a fool, especially when you raise a brow at him. “I have a bit of a sweet tooth.”

“Didn’t peg you as a sweet tooth type,” you grin, bringing the refillable device to your lips. Mark watches you take a drag, focusing on your mouth and the way you look sucking on something- he starts to imagine what you’d look like sucking on something else, something substantially bigger. 

As you exhale, you cough a little, and Mark wonders if you’re doing that to make him feel better about his screw-up a moment ago- or maybe you simply don’t vape often, he’s not too sure. 

“Thanks,” you say, still coughing as you hand the vape back to Mark. Your fingers brush gently as he accepts it from you, and as Mark brings the device to his mouth, he’s extremely aware of the fact that your lips had just been where his now are. 

He wonders if it means anything that you’d be so willing to swap spit like this, even on something as innocent as a vape pen. 

“How long are you here till?” you ask, breaking him from his daze. 

“Started at seven am, eight-hour shift, should be off around three when the night cross-over guys come in,” Mark explains. 

“Any fun plans for tonight?” you continue to press. “It is a Friday after all.”

“No plans, will probably just go home, make some food, and watch Netflix all night… what about you?”

You sigh. “No hot dates, unfortunately. Will probably do the same as you. Do you have any good show recommendations? I’ve been looking for something new.”

“I mean, it depends, what are you into?” Mark asks, eager to hear more about your tastes, your likes and dislikes- he knows so little about you, mostly things related to work. He’s curious about what you do in your downtime, and he’s grateful he has an opportunity like this to get to know you even a little bit better.

As you part your lips to respond, the back door swings open, and Hyuck steps out, already mid-puff of his neon orange vape. 

“Oh,” the line chef grins, exhaling through his nose and flashing a grin, “Am I interrupting something?”

“No,” you respond quickly, and Mark notes the shift in your energy, “I was just leaving actually.”

“See you later,” Mark offers, watching you hurry off. 

“Classic her,” Hyuck sighs, coming to stand next to Mark.

“What do you mean?”

“She’s a runner, that one,” Hyuck takes another puff from his vape.

“So you two definitely used to date,” Mark states. The interaction he’s just witnessed verifies his suspicion, and since they’re technically outside of work/the kitchen, Mark feels able to actually discuss this now.

“I don’t know if I’d call it dating,” Hyuck cocks his head to the side, eyes still fixed on you where you’re crossing the street a couple hundred feet away. “Look, do you want real talk? You wanna know about your favorite expo girl?”

“Yeah, I wanna know.” Mark lifts his vape to his lips, readying himself for whatever is about to come out of Hyuck’s mouth.

“I know she looks like sugar and sunshine, but I hate to burst your bubble Mark- she’s a bit of a fuck girl, that one.” 

“It takes one to know one,” Mark points out.

“Touche, but to be fair, I never claimed to be anything other than a guy who likes pussy, and little miss sunshine knew that when we started hooking up a few months ago.” Hyuck lets out another large puff of smoke into the air. “Look, I said I’d give you real talk so here it is. She’s got a lot of expectations. Girl reads those horny romance books-”

“Erotica.”

“Yeah, that’s it, erotica.” Hyuck nods to himself. “Well, she reads erotica, and her ideas about fucking are kind of hard to make real. She’s too in her head all of the time. Apparently - and don’t repeat this anywhere - but apparently no guy she’s fucked has ever made her actually cum. She has this thing where someone told her that if a guy doesn’t make you cum, he doesn’t add to your body count, so allegedly her body count is zero and she’s a virgin, but we both know it’s a lot higher than that.” 

“The whole body count thing doesn’t phase me,” Mark says quietly, although the wheels in his head are spinning.

“Sure it doesn’t,” Hyuck scoffs. “Just listen, if you’re into her, it’s not going to work out. She’s not for beginners like you.”

“Beginners like me?” Mark side eyes the line chef.

“You’re Jeno’s roommate, Jeno’s my friend- I know we’ve just met, but I know things about you.” Hyuck explains. “When you were with your last girl, Jeno used to come to the bar and bitch about you never coming out- he’s been wanting you to meet the rest of the boys for a while, but never wanted to invite us over cuz your last girlfriend had some supernatural cootchie-grip hold on you or something- point is, I know you’re a serial monogamist. Two long-term girlfriends. You like the domestic shit, and I get that- but if you want domestic, it’s not our little Miss Sunshine expo girl. She can’t even sleep next to guys she’s fucked- wakes up at five am, and dips out without a word. Trust me on this, dude, you wanna stay far away from that man-eater.”

Four

“Mark?” you ask, looking at the takeout bowl in front of you.

“Yeah?” he leans forward, lips parting as he waits for your judgment.

“Didn’t they order the spicy yogurt on the side?” You push the rice bowl forward, pointing at the lines of orange tinted cream that cover the veggies. 

“Shit,” Mark cusses, grabbing the chit-paper receipt and scanning it. “There were like, three other modifications, I didn’t even see the yogurt on the side.”

“It’s okay,” you assure him. “It’s takeout, and there’s pretty much no one in the restaurant, so you have time to make another… besides, I’ll just take this one as my lunch.”

One of the perks of the job is getting to take home the food that’s not correct. You’d been dreading going to the grocery store, your fridge empty of easy meals, but now you don’t have to make the trek, and you’re more than happy about it.

“You know, Mark, you’re my favorite new chef.” He’s also the only new chef, and you’ve been reaping the rewards of minor fuck ups the past two weeks. 

Mark, however, doesn’t seem to note your teasing, and he offers you a genuine smile. “You’re my favorite expo girl.”

“Yeah?” you grin. “And why’s that?”

“You’re really nice about things I mess up,” Mark’s eyes shift to the dragon bowl you’re packing up. “Like, you point things out, and you turn them good. As you said, it’s an easy fix, I have the time, and now you get to eat that.” 

“It’s a mutually beneficial arrangement, that’s for sure,” you laugh. 

“You’re also pretty happy most days, always makes me happy to come in and see our Little Miss Sunshine.” 

“Jeeze, not you calling me that pet-name too,” you roll your eyes. Hyuck had taken to calling you that a few months ago, and somehow the title had stuck. Mark was the only chef using your real name, but it looks like those days might already be behind you.

“It fits,” Mark assures you. “I think it’s cute.”

“Does it fit because I’m cute?” 

You notice the way Mark immediately swallows thickly, his skin turning a pretty shade of pink. “Uh- I mean, yeah,” his voice cracks, and he fiddles with his sleeves, pushing them up to his elbows, “you’re cute-”

“Oh my God-” you stare at his forearms, which are usually covered by his chef coat. “Have you always had all those tattoos?!”

“Did you really never notice these?” Mark looks down at his arms, lifting them so you can see the details.

“I have never noticed them,” you confirm, leaning forward. “Damn, how many tattoos do you have?!”

“A lot?” Mark’s tattoos are patchwork style, all black. They litter his forearms, and you wonder how high up the markings go- you wonder if his chest is covered, or his back- what about his legs?

“I need a tattoo tour,” you insist.

“I mean… I can’t show you all of them-” Mark says sheepishly. 

“Start with that one,” you point at a tattoo of three letters near his inner elbow, “What’s SSG mean?”

“So uh- the first restaurant I worked in, a few of us dishwashers worked our way into the kitchen with no formal training or anything- just started at the bottom, and went up from there. One of us came up with the idea of being the Soapy Suds Gang, like- dishwashers to chefs. Was at that restaurant from the age of fifteen to twenty, and when it closed down cuz the owners just didn’t wanna be in the business anymore, me and all the others got the matching SSG tattoo.”

Mark is adorable. Like, shockingly so. It’s such a stupid yet endearing story- and for some reason, it feels so on-brand for Mark. 

He begins to tell you about a few other tattoos. There’s a shotgun to commemorate his years playing Call of Duty online with friends. A cartoon puppy because apparently his mom never let him get a dog - something about him not being able to handle it if the dog ever died - so when he turned eighteen, he got a dog that could never bite the bullet, etched into his skin with black ink. 

All the marks have meaning, stories that make up the groundwork of Mark’s life. 

“What about that one?” you ask, noting a King of Hearts tattoo that he’d skipped over.

“Oh, uh…” Mark rubs the back of his neck shyly. “My ex-girlfriend wanted a Queen of Hearts tattoo, so I got this one, and… I mean, I don’t regret it, I was with the girl for three years- but, it’s not a tattoo I talk about too often.”

“Three years?” you ask in shock. “You were with your last girlfriend for three years?”

“Why do you sound so shocked?”

“It’s just- I mean,” you lick your lips, leaning in so Mark’s the only one who can hear you, “I hate to say it, Mark, but you look like a total fuck boy.”

“I’m really not,” Mark admits. 

“Even before your last ex?”

“Even before,” the line chef confirms. “I’ve got two ex-girlfriends. The last one ended about a year ago, dated her from age twenty-two to twenty-five. Had a girlfriend from when I was sixteen to twenty-one-”

“So a three-year relationship and a five-year relationship?” 

This gossip keeps getting juicier and juicier. 

“Yeah. The first one moved to another country to teach English, and I’ve never been that into long distance. We tried to make it work, but we agreed the best thing was to let each other go. Then the last girl decided she wanted more from life than some line chef so…” Mark trails off and you feel your heart hurt for him. “Anyways, what about you? How many relationships have you had?”

“A lot more than you,” you answer quickly, although, that’s only if you count one-night stands, flings, and situationships, but you won’t go into those details with Mark right now. “I mean… are you looking for anything right now?”

“What do you mean?” Mark cocks his head to the side.

“You didn’t hear it from me, but… a few of the waitresses are into you,” you whisper.

“Really?” he looks past you at the restaurant, and you see him trail Luna with his eyes. “That’s nice and everything, but waitresses really aren’t my type.”

“Then what’s your type?”

“Expo girls.” 

His words hit you in your chest, and you can feel your pulse quicken immediately.

“I mean-” Mark’s skin has returned to that pretty pink colour. “My first girlfriend- the five-year one, she was the expo girl when I met her- we got close cuz we spent so much time together. I didn’t mean you- I wasn’t trying to hit on you or anything- not that I don’t think you’re cute, cuz you’re definitely cute- fuck.”

You watch him, smiling and completely amused. It appears you’d read the new line chef all wrong. He’s not a fuck boy, he’s a lover boy, and you kind of adore that about him.

“I should uh- I need to remake this dragon bowl-” Mark turns away from you, and you watch him scurry off to the fridge to grab vegetables. 

You’re kind of hoping to tease him so more when he returns, but before he does, Doyoung appears from the back, and he waves you over. “It’s been dead for half an hour,” your manager notes, “you’re cut. Head home, I’ll see you tomorrow.”

Five

Mark hasn’t been able to stop thinking about your conversation. All night, he’d had you on his mind- and he’d kind of been hoping to get to talk to you today, but you have the day shift and this is one of his first nights scheduled.

Even so, Mark arrives to work thirty minutes early just on the off chance he’ll catch you, and as he’s waiting outside the backdoor, hitting his vape, his hopes come true.

You step out of the back of the restaurant, looking down at your phone. The jacket you’re wearing today is vibrant in contrast to your all-black uniform, and the comfy sneakers you always put on after your shift in flats are beginning to look a little worn out now that winter is almost over. 

“Hi,” Mark says, drawing your attention.

“Oh,” you put your phone into your pocket, offering him a smile. “Hey- you just starting?”

“In ten minutes or so,” the line chef nods. “I uh- I wanted to apologize for yesterday.”

“Apologize for what?” You cock your head to the side. 

“All of it?” Mark suggests.

You laugh, and the sound does things to Mark that he’ll never be able to express. “Seriously, we’re all good,” you assure him. “I think you’re pretty cute too, so, don’t worry about any of it.”

Mark’s mouth feels dry, and it’s not just from the vaping. He fiddles with the device in his hand, working up the courage to say what’s on his mind. “I was wondering- I mean, it sounds like you’re still on the market and all- so I was thinking, maybe, if you’d like- maybe we can go out sometime, or something- but no pressure.”

Your smile widens, and you step closer to him. “What would going out with you look like?”

“Honestly…” Mark swallows thickly, “it would look more like staying in. Since we both work in a restaurant- or maybe it’s just a ‘me thing’, but I’m not super into drinks as a first date, or even food- I’m a bit of a homebody. I’d love for you to just come over, watch some netflix, talk- that sort of shit.”

You look him up and down, and Mark’s body tenses as he waits for your response.

“That actually sounds pretty nice,” you admit. “Here, give me your hand.”

Mark holds out his palm, watching you pull out a Sharpie from your pocket. You write your phone number across his skin. “Careful,” you say, as you draw the last digit, “Don’t wash this off or anything.”

“I won’t,” he assures you, already planning on taking a picture of it with his phone just in case. 

“I should get going, but yeah- text me when your shift is over and we can figure something out.” 

“You got it,” Mark grins, unable to hold in his excitement any longer. “Have a good night.”

“You too.” 

With one final exchange of eye contact that makes Mark’s heart lurch in his chest, you walk off, the line chef’s eyes following you all the way out of sight. 

As he turns to head inside, Mark bumps into Hyuck. “Don’t go in just yet,” Hyuck insists, “stay out here and vape with me for a minute.”

It’s hard for Mark to focus on anything Hyuck is saying about the afternoon rush, but he manages to nod and make sounds of affirmation while his coworker rants about some party of fifteen that walked in and only ordered appetizers. 

“Mark, you’re not paying attention,” Hyuck sighs.

“Sorry, I’m just kind of-” Mark swallows the lump in his throat, “yeah, I’m distracted.”

“Got a hot date?”

“What?” Mark looks up.

“Someone wrote their digits on your hand,” Hyuck grabs at Mark’s wrist, “let’s see-”

Mark tries his best to pull away, but Hyuck’s already assessing the phone number. After a moment, the younger man lets go, his mouth forming a firm line. “I warned you about her.”

Mark’s surprised that Hyuck - who has the memory of a goldfish most days - clearly recognizes your phone number. 

“I told you she’s not for beginners.” 

“Yeah, well, I don’t have to listen to you,” Mark insists. “And not everything is about fucking. She’s gonna come over, we’re gonna watch movies- nothing has to happen. I just want to know her better.”

“Lover boy,” Hyuck scoffs, “she’s going to eat you up, and spit you back out.”

“And if she does, then that’s my choice,” Mark says firmly. “I know she fucked you over or whatever, but that doesn’t mean anything to me, Hyuck. I’m sorry, but I really don’t care about what happened between the two of you.”

“Ouch, dude.”

“If she’s as bad as you say, then you can say you told me so when this is all over. Deal?”

“Deal.”

Six

“So this is Jeno’s famous fuck pad,” you tease, stepping into Mark’s apartment and looking around. 

“Uh, he doesn’t actually bring girls here that often,” Mark says, rubbing the back of his neck awkwardly. “He likes to go to their place, makes it easier to run than kicking a girl out the next morning, you know?”

“I suppose that makes sense,” you nod… you usually fuck guys in their homes for the same reason. “It’s a nice place.”

“Thanks, my ex had a lot to do with the decor and shit.” Now that Mark mentions it, the vibe definitely doesn’t scream ‘boy’, and it especially doesn't scream ‘home of a line chef and bartender.’ 

The cream-colored couch in the living room has pretty sage pillows, there’s a tasteful rug under a circular coffee table. On the table are three candles varying in size, as well as a design book that you’d bet has never been opened or looked at in detail by the men who live here.

It’s a comfortable home, but you wonder what it feels like for Mark to live in a space that constantly reminds him of an ex who ditched him for not having his own shit together.

“I didn’t realize Jeno was a tidy guy,” you note, thinking back to the line of dirty cups he always allows to build up in the bar dish area. 

“He’s not, but I am.” Mark enters the living room, and he takes a seat on the couch, kicking his legs up onto a small puff stool next to the coffee table. “I guess when you work on the line, you’re used to doing little clean-up jobs to keep everything smooth. I don’t mind moving two or three beer cans to the sink every day if it means there aren’t any piles building.” 

So he’s a sexy line chef, with tattoos, who likes long-term relationships, and also cleans up his home? Mark really is a catch amongst flounders.

“Are you going to come sit?” Mark asks, noting the way you stand at the edge of the room. “Or, shit, should I offer you a drink first? We’ve got beer, or I could make you a cocktail or something-”

“I’m good, just… getting used to this.” 

It feels kind of odd to be with Mark in a casual setting. You’ve only ever seen him in a professional manner, with an expo station between you both- now, Mark is right in front of you, and as you sit on the couch next to him, you’re hyper-aware of the way your thighs almost touch.

“So… Netflix?” you ask.

“Yeah,” Mark grabs the remote, the sleeve of his hoodie pushed up so you can see his forearms. 

“You still haven’t given me a full tattoo tour,” you tease, reaching out to gently trace the puppy etched against his skin.

“Maybe that’s a date number two sort of thing,” Mark suggests, tugging the fabric down to cover his skin.

Your grin widens. “Do I make you nervous, puppy boy?” 

“Definitely,” he lets out a shy laugh, and you watch his Adam’s apple bob with the effort of swallowing. “So uh… what do you wanna watch?”

You let out a sigh, relaxing back against the couch. “Surprise me.”

“Well, there’s this anime I’ve been wanting to get into-” Mark finds the show in his ‘to watch’ list.

“Let's do it.”

“Really? You’re down?”

“Uh huh, I’m not that picky,” you nod, offering him a smile.

“It can be…” he starts the first episode, “like- if you wanna keep doing this sort of thing, it could be our show.”

“That actually sounds nice,” you admit. You suppose it shouldn’t be a shock that Mark is thinking long term- you do work together after all, but when you’d been seeing Hyuck, every day was a question of longevity. Would he call? Would he not call?

Hyuck never talked in definitives. He never made promises. The only true thing you could count on was seeing him at work three of five days of the week when your schedules aligned, and he never locked himself in for any more than that. 

“Should I-” Mark licks his lips, “I mean, finding a show was way easier than I thought it would be. Do you want a drink? I’ve got chips?”

“I’m okay, but if you want something, you should grab it.”

“I’m good if you’re good,” Mark mutters, leaning back against the couch. Your shoulders are touching, and you’re already finding it difficult to focus on the tv screen as the anime begins to play.

You’re aware of each breath, each slight shift of Mark’s body. “Are you comfortable?” he asks after a short while.

“I mean, we could probably find a more comfortable position than this one,” you note. 

“Like… do you wanna cuddle?”

“If you want to, I’d be up for that.”

“Okay, one sec,” Mark turns, grabbing at the back cushion of the couch. He tosses it to the side. “I can big spoon you.”

In under a minute, Mark is settling behind you, pillows are adjusted, and a gentle hand finds your hip. You wiggle slightly, trying to get snug against the line chef’s chest. 

“Is this good?” he asks, his breath ghosting by your ear.

“It’s nice, but let me just…” you grab his hand, threading your fingers and bringing it up to your chest, so you’re truly wrapped in his embrace. You can feel his heart against your spine, and you can hear the way his breath catches. “That’s better,” you let out a sigh of relief. 

The anime is fun, but you’re much too focused on Mark. Something tells you he’s quite focused on you as well, and finally, your patience snaps. You roll onto your back, looking up at him.

“You good?” he prompts.

“Uh huh. Just thinking.”

“About?”

You shrug. “I guess maybe I’m just wondering what work is going to be like tomorrow.”

“Hopefully busy.”

You laugh at how innocent Mark can be. “I mean in terms of cuddling with you tonight, then working together in the morning.”

“I mean… how was it with Hyuck when you two were seeing each other?” 

Your heart clenches. “Oh… he uh… he told you about that, huh?”

“Mentioned it once or twice.”

“All good things, I hope?”

“For the most part,” Mark nods. “But just so you know- I don’t take everything Hyuck says seriously. You two had something going on, but every relationship is different. I’m sure you have your own side to the story. I know you’re a good person - that’s what my heart tells me at least - so that’s what I’m going off of.”

You stare up at the line chef. The man you’d pegged as a fuck boy, who is turning out to be the farthest thing from a womanizer that you’ve ever met.

You can’t help but reach up and cup his face. There aren’t words that come to mind, but you hope your expression shows your gratitude for his kindness.

Mark’s gaze dips to your mouth, and you watch the way he sucks his bottom lip between his teeth, gnawing on his slightly. “So no pressure or anything,” he says, voice cracking, “but uh… can I kiss you?”

“You can kiss me,” you confirm, staying still and waiting for the precious man to make his move. Part of you is scared to take control- you’re worried about scaring Mark off, like you’d scare off a wild bird with one wrong muscle twitch. 

You’re still cupping his face, and Mark mirrors the act, gently cupping your cheek. He looks down at you, searching your eyes for a moment. You wonder if he’s looking for any hesitation, any sign that you regret your affirmative answer. Then he looks at your lips, and you can see some of the tension leave his body.

In fact, you see the exact moment Mark decides to give in to his desires. His lips part ever so slightly, his brown eyes shyly meeting your own as he begins to move in closer-

As his mouth presses to your own, you realize this might be the softest kiss a man has ever bestowed upon you. He’s not trying to shove his tongue down your throat- not biting at your lip and asking for entrance. It’s a simple brush of lips on lips, and it leaves you wanting more.

Your hand finds the back of his neck, and you drag him closer, letting out a small mewl. You capture his bottom lip between your own, suckling on it gently-

Mark pulls away, and your eyes open. You’re disappointed, but when you notice Mark breathing heavily, your annoyance dissipates.

“Was that okay?” you ask, worrying that maybe you’d been going too fast for the soft man.

“Yeah- better than okay,” he assures you. 

“Can we… can you kiss me again?”

“Uh huh,” he nods, leaning back down to press his lips against your own. His hand finds your hip, and you play with the hair at the nape of his neck. The kiss is just as gentle as the first, but the passion begins to burn brighter with each passing second.

No one has ever kissed you like this.

You can’t explain it- but in a matter of moments, your attraction to Mark has grown tenfold. 

When he breaks away from you for a second time, you’re both breathing heavily. You open your eyes to stare up at the pretty line chef, watching him swallow thickly.

 “Should we uh… should we keep paying attention to the show?” he asks.

“Yeah,” you say after a moment’s hesitation. “Yeah, we should.” You roll onto your side again, and Mark settles against your back. He tucks you closer, his fingers threading through yours. 

It’s impossible to focus now, and you begin to wiggle slightly, pressing your ass back against the front of his jeans.

“Are you uncomfortable?” Mark asks, letting go of your hand to grab your hip, steadying you.

“I’m fine- I’m just…” - unbelievably horny - “you’re a good kisser.”

He lets out a small laugh. “Thanks. I liked kissing you too.”

“So…” you look over your shoulder at him, “wanna kiss me again?”

Mark grins, leaning forward to press a chaste kiss to your lips.

As with the first two times, Mark pulls away much too fast for your liking.

Your head is spinning. You’ve never experienced a situation like this. Mark is being respectful- he’s keeping his hands in PG locations, and the kisses have involved zero tongue- does he not like you as much as you like him?

How much do you like this line chef?

Do you like him because he’s not completely fawning over you like you’re used to?

What is going on?!

“I just want you to know,” Mark says, “it sounds like you’re used to fuck boys and shit, and I uh- well, I’m not like them. There’s no pressure to get naked or anything today-” his voice hitches, “in fact, Jeno will be home soonish so it’s better if we don’t-”

“You don’t want to fuck me?”

Mark tenses behind you. “That’s not what I’m saying.”

“If we move to your room, Jeno won’t walk in on us.”

“It’s not about that,” Mark assures you. “Look, I want to take my time with you. This is our first date. I want things to feel right. I want to do this right. Can you understand that?”

You think maybe you’re too horny to want to understand it. 

You want to tear Mark’s clothes off. You want to push him down and ride him until he’s gasping your name and filling you with his cum. You want to feel him still dripping out of you when you go into work tomorrow morning- 

No one has ever made you wait. You’re much too impatient for playing around- and your past lovers have been the same way. 

Even so, you respect the boundary Mark has just expressed. “No fucking tonight,” you agree, “I get that. It’s for the better.”

However, it’s not for the better of your throbbing pussy. 

Seven

God, Mark can’t take his eyes off of you. It’s been two hours since you arrived on shift, and Mark has been distracted for all of it.

You look adorable today. Your black outfit hugs your body just right, and Mark’s mind is consistently wandering to last night, when his hands had traced your hips before lacing your fingers-

When you speak, he finds his focus shifting to your lips- those pretty lips he’d kissed. The lips that had left him wanting more- the lips he’d thought about for hours after you’d gone home. He’d dreamt of kissing you, but it had fallen quite short to the real thing.

You’d sounded hurt when Mark had said you shouldn’t fuck last night, and part of Mark regrets drawing the line in the sand. But on the other hand, Mark had meant it when he said it wasn’t the right time. 

He doesn’t want to bed you after watching a few episodes of anime. You deserve so much more than that. 

Besides, if he had fucked you last night, Mark might have needed to take a sick day just to calm down. Even now, knowing he’s tasted your lips has his skin heating every time he looks at you. 

God, you’ve got him practically bewitched.

As the lunch rush comes to an end, Mark finds time to go outside and vape. He watches the cars pass while he puffs on his device, closing his eyes and imagining your lips.

As his little break is coming to an end, the door hinges squeak behind him, and Mark turns to find you standing there. 

“Oh, hi,” you grin. 

“Hey.” He looks you up and down. “You leaving?”

“Doyoung cut me again, it’s been slow this week,” you nod. 

Mark swallows thickly. He can’t help the way his gaze dips to your lips again.

You step forward, smiling. “You wanna kiss me again, don’t cha, Mark?”

He doesn’t even bother responding. He slips his vape into his pocket, grabbing your hips to tug you closer. As he brings his mouth down to yours, he pauses for a second, meeting your gaze. If you want to pull away, he gives you ample time, but instead, you wrap your arms around the back of his neck, closing the distance between your lips.

You take more control today than last night. You lick at his lower lip, not doing too much tongue, but providing just enough that it has Mark’s skin tingling with need. His fingers dig against your hips, pulling you tighter. 

The kiss deepens, and Mark’s entire heart lurches in his chest when you let out a pleased mewling sound.

Fuck, he loves your sounds already- you sound so fucking pretty-

“Jesus.” Head Chef John’s voice makes Mark practically jump, and he tears his lips away from your own, eyes immediately finding his boss, who’s standing by the exit door. “Damn, newbie, you work fast, don’t you?”

Mark’s skin feels like it’s on fire, and he’s quick to let go of your hips, stepping away and running an awkward hand through his hair, “Chef-”

“Don’t tease him, Johnny,” you sigh. “You nearly gave Mark a heart attack sneaking up on us like that.”

“I’m shocked neither of you heard the door.”

“We were busy!” you insist, raising your voice in jest at the head chef.

Mark is shocked at the way you talk so easily with his boss. But he supposes you’ve been at the restaurant for over a year- maybe you’re closer with the tall head chef than Mark realized.

“Look, I’ll say what I said when Hyuck was trying to get with you, sunshine,” Johnny grins, reaching into his pocket to pull out a jacked-up vape pen. “As long as you use protection we’re good, I can’t have my line chefs becoming fathers and taking time off.”

“And I’ll say what I said last time you told me to wrap it: never gonna happen.” 

“IUD’s aren’t a hundred percent viable,” Johnny points out, making Mark nearly choke on air.

“Mine has been so far, so stick it old man.” You turn to Mark, “Don’t mind him, he’s protective.”

“I was protective with Hyuck, because he’s a douchebag, but Mark seems okay,” Johnny laughs. 

“Thanks?” Mark can’t believe what he’s hearing. 

“Listen, I’ll text you okay?” You grab the front of Mark’s apron, pulling him in so you can press a chaste kiss to his cheek. “Have a good rest of your shift.”

Mark watches you dart off. He’s tongue-tied, skin still flaring, heart racing in his chest.

“She’s a good one,” Johnny muses. “Best expo girl we have. Don’t fuck it up, Mark, I’ll fire you before we get rid of her.”

“Trust me,” Mark coughs, “I wasn’t planning on fucking things up any time soon.”

Eight

In the year you’ve had your solo apartment, you’ve not had any guys over. Your MO is to go to the man’s place so you can dip out whenever you get anxious or tired. Inviting a man over to your safe space woman sanctuary is new. The nervousness is manifesting physically; you’re fussing over the overswept floor and the frill on your couch blanket when Mark texts you that he’s arrived. 

With one final breath, you head down to the lobby to let Mark in.

He’s in blue jeans and a black hoodie that sets off the blonde tone of his hair. You’ve been meaning to ask him about who does his bleach out, but you know men can be touchy about their physical appearance and certain body modifications, so you’ve been holding yourself back.

He looks good. That’s all that really matters. 

“Hey,” Mark grins as you open the door, pulling you into a hug. 

“Hey, yourself,” you smile back, pulling away from the embrace to lead Mark to the elevator. You can hear the line chef following you, and you suddenly feel self-conscious about your building. 

“It’s a nice place,” Mark notes, as if he can read your mind. “New build?”

“I think it’s been here like three or four years? I moved in last winter.”

“Right,” he nods, coming to a stop next to you as you hit the button to call the elevator. 

You can feel him staring at you, and it’s making you even more nervous. “What?” you ask, letting out a short laugh.

“Nothing, you just uh… you look cute.” 

“I’m literally in PJ’s.” Your gaze dips to your simple fuzzy purple shorts, and the tank top you’re wearing.

“But they’re nice. I’ve only ever seen you in work outfits, and when you came over last time you were in jeans. You look cute dressed down like this.”

You’d been worried about being so casual with Mark- dressing for comfort instead of the need to impress, but it seems you’ve succeeded in both comfortability and making a good impression. 

“Thank you,” you smile, your insides practically glowing from the compliment. No other man has seen you this way and called you cute- it’s one of the reasons you usually dip out from a man after sex. There’s no comfort or getting comfortable- your other relationships have always been rigid, a push pull and need to be perfect at all times in order to be deserving of attention.

You make it up to your floor, and another wave of anxiety washes over you as you let Mark into your small apartment. “It’s not much,” you sigh, “but it’s home.”

Mark slips off his sneakers by your door, looking around. “No, I like it,” he assures you. “No roommates kicking around- I bet living alone is pretty relaxing.”

“It can be, but it’s also lonely at times,” you admit.

“Well, if you get lonely here, you can always call me and I can come entertain you.”

Mark’s words give an air of longevity. He sounds certain about this, as if it’s a given that he’s part of your life now, as if he’s not going anywhere. 

You’re not sure what to make of Mark. You’ve never really had steady consistency from a man- but he seems so sincere, it makes you want to be hopeful, and hope can be a dangerous thing for a girl like you.

“So uh… can I get you something to drink?” you ask. “We’re just watching anime right?”

“I’m good. If I get thirsty, I’ll let you know,” Mark assures you, taking a seat on the couch in your living room. “Should we uh… should I move some of these pillows so we can cuddle again?”

You grin, pouring yourself a cup of water. “If you want to cuddle, we can cuddle.”

“I want to cuddle,” Mark states, immediately grabbing at the cushions and rearranging your space to allow for you both to lie down. 

He’s adorable. Laying down in front of him already feels kind of natural. The way he grabs your hip and tugs you close to his chest has your heart singing, and his breath against the back of your neck is as familiar as anything.

Not much needs to be said as you start your anime. You’re simply enjoying the comfortability of companionship- companionship lacking any pressures or timeframes. You’re two souls sharing your moments together.

It’s a different feeling for your mind to go blank while you’re with Mark. You’re shocked by how safe you feel in his embrace. 

You talk here and there, the two of you discussing moments in the anime, but conversation doesn’t get much deeper than that. You actually kind of enjoy not having to use your brain, and you’re definitely enjoying the warmth of the man behind you.

“I’m uh, gonna take my hoodie off,” Mark tells you, shifting slightly. 

“Okay.” You give him space, turning to look over your shoulder as he lifts the fabric off his body, revealing the white tshirt below. “Wait, can you give me a deeper tattoo tour now?”

“Uh…”

“You said you’d give me a proper tour on the second date,” you tease, hooking your finger in the neck of his shirt and gently pulling, giving yourself a tiny peak of marked skin along his collarbones.

“I guess I did say that, didn’t I?” Mark laughs sheepishly. “Okay,” he takes a deep breath, sitting up again and grabbing the hem of his shirt.

As Mark reveals his chest to you, you’re a little taken aback by what you see.

Generally, you’re pretty good at guessing a man’s build under his clothing, but Mark is much more toned than you thought he would be. It’s clear he works out, and the muscles you see are amplified by tasteful placement of tattoos littering his torso.

“Where do I even start?” Mark asks, looking down at himself.

“Wherever you want to.” You turn to face him, anime forgotten in the background.

He brushes his own fingers across one of the ferns decorating his collarbones. “These are my mom’s favourite plant.”

“Her favourite plant?” you grin.

“Yeah, I know, most moms have a favourite flower, but my mom kind of really likes ferns.”

“Sounds like you’re close with her,” you note.

“I’m a complete mama’s boy,” Mark admits with a laugh, which is when your gaze lands on a heart with the word ‘Mom’ tattooed on his ribs.

“I see that.” You reach out and gently brush the mark.

The line chef shivers under your touch, the muscles in his abdomen jumping deliciously. You wonder how ticklish he is. 

“Then this one,” Mark touches the moth blooming out from his sternum, “was just really cool and the artist needed someone to practice on, so I said, let’s do it, fuck me up.”

You grin at his choice of words. Mark can be kind of reserved at work, it’s interesting to hear his dirty mouth now that you’re alone. 

You kind of love listening to him as he continues with the tour, tracing the lined patch work. Each mark is another story or detail about the line chef you’re starting to fall for, and you commit his words to memory. 

He’s done the tour of his tattoos much too fast for your liking. You trace the last of the marks, a dagger on his bicep. 

Laying on your back with Mark on his side next to you, things feel very intimate, especially now that his focus has shifted away from his tattoos and is solidly fixed on you.

His hand finds your abdomen, and he gently lines the curve of your hip with his fingers.

Neither of you say anything, caught in the peaceful quiet and moments of mutual discovery. 

His fingers brush by your rib cage, and you’re struck by the need for more. Gently placing your hand over his, you prompt him up higher, until his palm is placed over your breast. You sneak a glance at Mark, noticing the way he swallows thickly.

“Are you a boobs man, Mark?”

“I mean… who isn’t?”

You grin at his answer. “Should I take my shirt off? It’s only fair, right? Yours is off.”

“You don’t have to do anything you don’t want to do,” he assures you.

“I want to take my shirt off.”

“Then take your shirt off,” he says quietly.

You sit up, quickly discarding the fabric before laying back down again. Now you’re just in a bra and PJ shorts. Mark sucks in a breath, his hand finding your bare hip. Once again, you have to guide his touch up to your breast. This time, when he squeezes you, his thumb rubs over the swell of plump flesh.

You can feel your nipple hardening with interest, pressing against the cup of your bra. “We should take this off next,” you suggest, grabbing at your strap.

“Yeah?” Mark’s eyes widen as he looks at you, his lips parting as he breathes heavier.

“I mean, unless you want me to keep it on?”

“Like I said,” the line chef brushes his thumb over your skin again, “do whatever makes you most comfortable.” 

You sit up again, reaching behind your back to undo the clasp. For a moment, you pause. This is a line you won't be able to uncross. You’re about to show your coworker your boobs. Your sweet, honest, adorable, line chef coworker, who gazes at you with stars in his eyes- your fuck boy look alike secret softie-

You undo your bra, throwing it off the couch before laying flat again. This time, you don’t have to prompt Mark’s hand, he gently traces his fingers up your ribs until he’s cupping your breast. He watches you tentatively, sucking his lower lip into his mouth as his thumb brushes over your hardened nipple.

“You’re so pretty,” he whispers.

“You think so?”

“I know so,” Mark says, firmly this time.

“Come here,” you reach up to cup the back of his neck, drawing his lips to yours. He kisses you like he’s afraid you might break, but when you whimper, he responds with a groan, deepening the passion as his tongue glides against your own.

His hand kneads your breast, making you moan again, pushing up toward his palm. You can feel the desire growing between your legs as he kisses you, and you reach out to trace his chest. Your touch begins to lower, fingers grazing over his abdomen-

Mark breaks the kiss, nuzzling against your jaw to prompt your face to the side so he can access your throat. He peppers your skin in soft kisses, slowly descending until he reaches your collar bones-

You realize what he’s about to do and tangle your fingers through his soft blonde hair, pushing your chest up in silent affirmation. “Mark-” you whimper, rewarded when his wet lips wrap around your nipple.

Fuck, he feels so good-

Has anyone ever felt this good?

Maybe it’s the waiting- the going slow, or maybe it’s just the fact that Mark makes you feel safe, but regardless, each touch, each brush of his lips and tongue, has you mewling. You’re pretty sure you’ve soaked through your panties at this point, your pussy practically throbbing with each flick of his wet muscle against your pebbled nipple.

“Mark?” you whisper, tightening your grip in his hair. “Are you…” you swallow thickly. “Are you going to fuck me?”

The line chef pulls away from your breast, looking up at you with dark chocolate eyes. “We don’t have to do anything you don’t want to do-”

“What if I want this?”

“I usually don’t sleep with girls on the second date-”

“Make an exception?” you plead. 

You haven’t been fucked in a few weeks, and you’re feeling desperate. You want to connect with Mark on that physical level, and sex is always the way you do that with men. You want him to feel good, to give him a reason to stick around like he says he will.

“But wait-” you feel your skin heat, “I have something I should tell you first.”

Mark cocks his head to the side, waiting for you to continue.

“I uh… I’m going to be super real with you right now.” You take a deep breath. “Look, I read a lot of smut? That’s like- I read a lot of erotica, written porn, I guess- and, in smut, and porn especially, girls always just cum so easily- and I wish I was that type of person, but I’m not. No guy has ever… you know, gotten me there. What I’m trying to say is, I can have fun even without cumming. So if I can’t get there with you, it’s not you, it’s literally me-”

“Hey,” Mark reaches up to cup your cheek, cutting off your rambling. “Thanks for telling me, but there’s no pressure. Whatever happens, happens. For some girls, you have to get more comfortable. My first girlfriend was like that too, and there’s never any judgement from me. I’m willing to wait for you to feel safe enough that your body relaxes.”

“You are?”

“I’m not going anywhere,” he assures you. “I mean, I can’t promise that I’ll be as good as the guys in your books or in porn. Dirty talk is something I have to get used to using too, but, if we give it time, I’m sure we’ll figure each other out.”

You search his eyes, processing what he’s just said. Then you give him a small nod. “That sounds good to me.”

“Good.” He leans forward, pressing his lips to yours. “But, if we’re going to do this, I’d like for us to go to your bedroom, if that’s okay.”

“Yeah, of course.” You sit up, getting off the couch quickly while Mark follows. As you get to the door of your bedroom, you look over your shoulder, snaking your fingers into your shorts and pulling them down.

“Fuck-” Mark groans, eyes taking in your body.

You can see a half chub pressing against the denim of his blue jeans, and your pussy throbs again. “Come on, puppy boy,” you tease. 

He’s quick to catch you, wrapping his arms around you and pressing his chest to your back. His lips find your neck and you giggle, moving toward your bed while dragging the line chef with you.

“You’re so pretty,” Mark groans, tracing your curves with one hand while the other reaches to grab your breast.

Turning in his arms, you press your lips to his, enjoying the way each kiss gets deeper. He’s relaxing against you, his tongue exploring you more and more. 

When you make it to the bed, he gently prompts you to sit down. You look up at Mark, watching him take in your form. “How did I get this lucky?” he asks.

“You asked me out,” you remind him. “So you did this all yourself, Mark.”

“Did I?” he grins, sinking to the floor.

You’re surprised by the new position, surprised by the way he gently parts your knees, his gaze finding your hot core. 

“Can I take these off?” he questions, gently tugging at your panties.

“Yeah-” you whisper.

Most guys don’t eat you out as an appetizer. In fact, you have to ask most men to go down on you- but here’s Mark, doing it all of his own accord. And he looks so needy- in the best possible way.

Mark slips your panties down your legs, and then his lips find your calf. He begins kissing up your skin, spreading your thighs to accommodate him. 

“You don’t have to-” Your words are lost when he presses a kiss to your clit.

“Don’t have to what?” Mark asks, looking up at you.

“Don’t have to eat me out-”

“I want to eat you out,” he confirms. “I’ll eat you out for as long as you want me to- but, when you need more, just say something, and I’ll give you anything you want.”

“Really?”

“Uh huh,” Mark hums, immediately pressing his mouth against your core again. He licks a wet stripe of your pussy, and it makes your legs twitch on his shoulders.

You relax against the mattress, closing your eyes and focusing on the feeling of Mark pleasuring you. Your fingers tangle in his hair, keeping him where you need him. He focuses on your clit, circling it and toying with it.

It feels amazing- it does, but there’s some sort of mental block in your brain. You wish you could just cum from this, but the more you think about that, the more you distract yourself from Mark. God, you almost feel bad making him eat you out like this- he’s not getting anything-

The overthinking is something you’re used to, and try as you might to talk yourself down from the ledge of sexual issues, you can’t relax. You can’t focus on Mark, and it frustrates you to no end.

Finally, after what feels like hours of him eating you out - although it must only be a few minutes - you gently tug his hair. “Want your cock now,” you tell him.

“Yeah?” Mark wipes his hand across his mouth, looking up at you with pupils blown from lust.

“Please,” you nod. 

“Should I uh- should I grab a condom?”

You’re quick to shake your head. “We’re both clean right?”

“Yeah-”

“I have an IUD, remember? I want you to cum inside of me.”

Mark draws in a shaky breath. You watch him swallow thickly, then he stands up, undoing his blue jeans. When he pushes down his pants, he moves his underwear too, and just like that, your favourite line chef is standing naked in front of you.

He’s got a pretty cock. It’s girthy, cut, and must be around seven or so inches. The tip is curved slightly to his left, and it’s leaking precum even though you’ve hardly touched him.

Did Mark really get that turned on just from eating you out?

“Come here,” you offer him a small smile, shifting up your bed until your head reaches the pillows. You open your arms for Mark, watching him press a knee onto the mattress and approach you. Your legs wrap around his hips, and you drag him into a kiss.

The kiss is passionate, but there’s a tentative energy to it as Mark’s cock presses between your pussy lips, collecting the juice and saliva that’s congregated there. 

“Are you sure about this?” Mark asks, panting against your mouth. 

You open your eyes to look up at him, nodding.

“I uh… I need to hear you say yes.”

“Yes, Mark, I’m sure about this,” you say, trailing your fingers through his hair. “Please, I want you.”

He searches your eyes, then, with a final nod, he kisses you again. One of his hands slides between your bodies, and you feel him line his cock up with your core. Your legs tighten around his hips, and it’s something like a united effort when his length sinks into your pussy.

You both groan against each other’s lips. The kissing stops, but you remain close enough that your noses are touching. His breath is hot against your skin, and he begins to fuck you slowly, his cock filling you perfectly.

“You feel so good,” Mark groans. 

All you can do is moan in response, drawing his lips back to yours while he fucks you.

You get lost in the feeling of him, and the kissing does aid in calming down your tumultuous thoughts. You can focus on the pleasure that thrums through you with each thrust, the way his cock glides against your inner walls and stretches you out.

Mark grabs your hand, interlocking your fingers and pressing you against the bed, his hips working faster. His tongue is eager against your own, and he eats up your soft whimpers. His groans and grunts of effort make your soul sing, your heart beating quickly in your breast.

“Shit,” Mark pulls away from the kiss, looking down at you. “It’s been a minute since I’ve- since I’ve slept with anyone,” he admits. “I’m uh… pretty close.”

“Want you to cum,” you tell him.

“Yeah?”

“Please- want you to fill me up-”

Mark groans, pressing his lips against your own. You kiss him desperately, tightening your legs around his hips. He squeezes your hand, his groans muffled by your mouth.

His hips work faster and faster- then, all at once, he kind of just stops. You can feel his cock throbbing inside of you, and his grip on your hand is tight as he coats your insides with his cum.

You hold him through his high, your free hand petting his hair while he brings his lips to your neck, panting desperately and kissing your skin. 

He lets out a sigh of relief as he finishes. Mark pulls away from your throat, looking down at you. You can tell there’s something he wants to say, but it’s clear that he’s not able to find the right words. “I, uh…” he licks his lips. “Should I grab you a tissue or something?”

“Yes, please,” you laugh, letting go of him so he can get off the bed. You watch him look around your room, finding your tissues on the nightstand. 

His legs are as covered in patchwork tattoos as the rest of him, and you’re pleased that the tour will continue another day. He hands you the tissue. “Do you want to use the bathroom first?”

“You can go for it, I just need a second,” you tell him.

Mark nods, pressing one last kiss to your lips before he leaves your bedroom.

You lay there in bed, holding the tissue between your legs to capture any of the cum beginning to leak out of you. 

You’re glad Mark got to cum. You’re not surprised you hadn’t. You just hope maybe one day you will get there, and for some reason, you have a hunch Mark will be the one to achieve an orgasm for you. Or at least, you hope he will. 

Nine

“So did you do it?” 

“Hmm?” Mark looks up from the chicken he’s cutting.

“You had your second date with Sunshine last night, right?” Hyuck presses. “So…. did you do it? Did you make her cum, or what?”

“Why are you so obsessed with this?” Mark sighs, looking at the other side of the kitchen where John is working. “We shouldn’t be talking about this here.”

“Nah, this is the perfect place to talk about it,” Hyuck leans against the work station, his back to the head chef. “So I’m guessing you didn’t make her cum.”

“Is that all you were thinking about every time you fucked her?” Mark asks.

“Duh.”

“Did you ever stop to think that maybe that’s the kind of mentality that would make a girl overthink the situation?” Mark shakes his head. “I bet you would watch her super intently and then just ask her to cum.”

“That’s a move, Mark, it’s called having rizz.”

“But it never worked, so was it really rizz, or were you just fucking yourself over?”

Hyuck narrows his eyes. “So now you’re the expert on making girls cum?”

Over Hyuck’s shoulder, John stops what he’s doing and turns to stare at the line chefs. Mark can feel his skin heating, and he opens his mouth to rectify the situation, but Hyuck’s already speaking again. 

“I bet you a hundred bucks you won’t be able to make her cum.”

“Fuck you, I’m not betting money on this shit,” Mark hisses. 

“Sounds like something a pussy would say.”

“A pussy with a knife in his hand,” the line chef notes, his grip tightening on the handle. “Look, when I do make her cum, you have to stop bashing her like it’s her fault that you wouldn’t take the time to make her comfortable.” 

“And when you don’t make her cum?”

“It’s not going to happen.” Mark’s not sure where his confidence is coming from, but something in his heart tells him to be firm about this. He’s going to get you there. It might take a few weeks, hell, it might take over a month- but he’s going to get you to the point where you relax enough to cum for him, or so help him God-

Ten

Mark had cum inside of you three times since arriving at seven, and at two am he had finally broached the idea of heading home. “I should probably go,” the line chef had sighed, holding you closer to his chest.

“I mean… you could always just stay over?” you’d suggested.

“Yeah?”

“It’s our third date, why not?” you’d shrugged, cuddling tighter against him. 

You hadn’t planned this, it had just sort of happened, and that’s how Mark had ended up sleeping at your place for the first time. 

He’d woken up half way through the night, voice raspy, hands grabby, moaning about how lucky he was to be here with you. Falling asleep again after he’d railed you had been as easy as breathing, and now, in the morning hours, you’re in the shower to wash off all the cum he’d left on and inside of you. 

Neither of you have to be at work till the afternoon, and you kind of like the idea of lazing around with Mark, who’s still passed out in your bed. 

You take your time with your skin care and hair, and when you finally enter your room, you’re intrigued to find the line chef still asleep. He’s quite handsome like this, all bundled up in your white duvet, blonde hair shining around him like a halo.

You try to be careful as you crawl onto the mattress next to him, but Mark immediately rolls over to pull you tight to his chest. He lets out a soft groan, pressing a kiss to your forehead.

God, why are things so domestic with this boy already?

His hands trail up and down your back, fingers stroking your skin. You’d put on his shirt, but other than that, you’re naked, and it doesn’t take long for Mark to realize that fact. His touch moves down to your hip, sliding under the shirt. His thumb draws circles against your bare skin, and he lets out another moan. 

“Morning, puppy boy,” you laugh.

“Hungry,” Mark whispers. 

“Hmm?”

“I said,” he leans down, pressing kisses to your throat, his lips brushing by your ear when he repeats himself; “Hungry.”

“I can make you breakfast,” you assure him.

“Don’t want food,” Mark says. “Want you.”

In one quick motion he pushes you onto your back, getting on top of you. His breath is hot against your neck, and he tugs on your shirt, pulling it up to reveal your breasts. His mouth wraps around your nipple, and he sucks on it gently, releasing sounds of pleasure. 

You thread your fingers through his hair, letting out a sigh of relief. “Feels good,” you tell him.

One of his hands slips between your legs, his digits teasing your slit. “Always so wet for me,” he groans, releasing your nipple with a pop. “Can I taste?”

Mark is definitely getting more bold with you, but that’s what happens when you’ve fucked a handful of times, had three dates, and one sleep over. 

“You can do anything you want to me,” you tell him.

The line chef kisses down your abdomen, pushing your legs open as he settles between them. You thread your fingers through his hair as he brings his mouth to your core, licking at your pussy lips. 

Mark is really good at oral. This is the fourth time he’s eaten you out. With each time he presses his mouth to your pussy, part of you gets more and more convinced that you’ll cum this way. When he adds two fingers into your aching core, you’re pretty much sure that it will happen-

It feels so good, and the moans that escape you reflect that. Your hips buck toward his face, prompting Mark to press a palm to your lower abdomen, keeping you pinned.

But every time you think you’re close - every time you’re about to announce it to him - the feeling dissipates. 

You can feel yourself getting more and more irritated with your body, and soon, you give up entirely. “Mark?”

“Hmm?” The vibrations against your clit have your thighs shaking.

“Can I just- can we just fuck? Please? I want you inside of me.”

Mark pulls away from your pussy, his fingers continuing in your hole. “Are you sure? You know I enjoy playing with you like this.”

“I know- but, I just- I’m in my head again. Want your cock in my pussy.”

Mark takes his fingers out of your core, bringing them to his lips to lick clean. Then he crawls up your body, kissing you so you can taste yourself on his tongue. 

“I’ll fuck you,” he says, “but don’t ever think I don’t enjoy being between your thighs like that, okay? You don’t have to cum, I know from the sounds that you make that you enjoy it, and that’s enough for me until you get there, yeah?”

You swallow thickly, nodding. “I’m still in my head.”

“I get that, Sunshine,” he kisses you gently, cupping your cheek as he lines his cock up with your wet hole. “If there’s anything I can do to stop the overthinking-”

“Just fuck me,” you insist, wrapping your legs around his hips.

Mark laughs. “You got it.”

Eleven

“Dude, is that a hickey on your neck?” Hyuck’s annoying voice makes Mark flinch, and his hand immediately flies to slap against the side of his throat.

“What? No.” 

“It totally is,” Hyuck laughs. “Damn, you two must really be going at it a lot.”

“We’re having fun.”

“Fun like two times? Three?”

“Fun like five times in the past twenty four hours.”

“Jesus Christ.” Hyuck’s eyes practically bulge out of his head. “Are you serious?”

“I don’t know what you were talking about with her not being able to sleep next to you. She passed out just fine with me last night.”

Hyuck lets out a deep breath. “Fucking Hell. Maybe I underestimated you. So… did she cum?” 

Mark sighs. He hates to be talking about this while at work. You’re running food, but you could be back at any second, and Mark doesn’t want you to get the wrong idea about all of this. Hyuck is the instigator of these sexual talks, and Mark doesn’t know how much to keep to himself.

“So that’s a no,” Hyuck deduces. “Big ouch.”

“I feel like we shouldn’t talk about this anymore,” Mark says finally.

“Why? Is your pride hurt?” 

Mark lets out another annoyed breath. “I just think it’s disrespectful. You’re an ex fling of hers, you don’t deserve to know everything about her personal life.”

“I don't want to know about her personal life,” Hyuck rolls his eyes. “I want to know about her sex life, there’s a difference.” 

“I’m done talking to you about this,” Mark insists.

“Damn, someone is starting to sound like a protective boyfriend. Jeeze, calm down.”

Mark hates that there’s some truth in what Hyuck is saying. He already feels quite protective of you. He’s got dates planned, things that can make you smile. He pays close attention to you when you speak, looking for your likes and dislikes. 

Mark is falling for you faster than he’d ever care to admit, especially not to Hyuck of all people. 

Twelve

“Who does a staff Christmas party in January?” Jungwoo asks as a bunch of you take the big table after the restaurant has closed.

“We were all too busy at Chirstmas time, remember?” Jaehyun says, looking at his waiter friend. “And then there was New Years, and we closed early.”

“I agree with you Woo, a mid January Christmas party feels weird,” you grin, leaning against your favourite server. 

In all honesty, it feels like your managers Taeil and Doyoung just wanted to give you all some time to relax and celebrate. January can be a slow month in the restaurant business, and you’d heard Jeno mention yesterday that there are four or five bottles of wine that no one has been ordering that have to be used up. 

As you begin to drink the wine, the mid January Christmas party makes more and more sense. The chefs have finished their closing tasks, with John joining you first, followed by Hyuck, and finally Mark.

With Jaehyun across from you, Jungwoo on one side, and John on the other, you’re surrounded. Mark sits at the other end of the table, offering you a small smile. You give him a gentle wave in response, giggling to yourself over the rim of your wine glass.

“Gosh, Sunshine,” Jungwoo slides closer to you. “Are you drunk already?”

“You’ve been refilling my glass,” you point out, pouting a little.

“Because you’re a cute drunk,” he grins. 

“A very cute drunk,” Jaehyun agrees, eyeing you from across the table. 

The thing about dating a coworker and it being new means you can’t talk about it. Until there’s a label with you and Mark, you’re keeping your lips shut. As far as Jungwoo or Jaehyun know, you’re single, and the latter of the two has been hitting on you for months.

It feels odd to have Jaehyun calling you cute while Mark is just a few seats down. Your stomach twists into drunken knots, and you wish you could move to be closer to your new secret Boo-

In the periphery of your vision, you note Mark stand up and begin to head to the bar. It feels like the perfect excuse to get some time alone with him, so you hop off of your chair. 

Mark’s grabbed a glass and is beginning to pour himself a beer from the tap by the time you reach him. “Hi, puppy boy,” you grin.

“Hey, Sunshine,” he laughs, looking you up and down. “Jungwoo’s been feeding you the wine, huh?”

“Just like… a normal amount.” God, you can’t help but smile constantly at the boy who has your heart twisting into love sick knots. 

“Are you tipsy?” Mark cocks his head to the side as he finishes pouring his drink.

“Maybe…”

“Can I get you some water?” he suggests.

You lean forward over the bar top, lowering your voice so only Mark can hear you. “I’m thirsty, but not for water or wine.”

It takes Mark a moment to read the innuendo of your words, but then he laughs. “I should get you some water.”

“What if I don’t drink it?”

“What if I ask you to please drink it?” he counters, already filling a cup for you. 

“Okay, fine. Just for you, though.” 

Mark grins as he hands you the glass.

“Why do you take care of me so much?” you ask, as the two of you head back to the table.

“Because,” Mark pulls your chair out for you, “you’re my favourite expo girl.”

“I better be,” you say, teasingly narrowing your eyes at Mark before he walks back to his own seat down the long table.

You begin to nurse your water. Mark’s right about you needing it. The tipsyness has somehow intensified- probably because Jungwoo had insisted you finish your wine glass. You feel blurry as you sit there and listen to your coworkers chat.

“I just don’t like saying chicken breast,” Jungwoo states.

“But that’s what they are!” Yuta, one of the night line chefs, insists. “They’re breasts!”

“I just tell customers that the alfredo comes with chicken, they don’t need to hear me say breast!” Jungwoo fights back. “Jaehyun agrees with me, right Jae?”

“Yeah, I just say chicken,” the man across from you nods.

“Taeyong also just says chicken,” Jungwoo continues. “So right now it’s three to one.”

“Hyuck,” Yuta calls across the table, gaining the attention of the men at the other end. “Do you call it chicken breast, or just chicken?”

“Neither,” Hyuck says confidently. “Thems some chicken boobies.”

You can’t believe the conversation you’re hearing. “I think it’s time for me to leave,” you decide. 

“What? Why?” Jungwoo whines.

“I can’t be here for a discussion about chicken.”

Jungwoo slams his hand on the table. “See, she said just chicken too!” 

Yuta points his finger at you like you’re on a game show. “Is that your final answer?” 

You lean forward, pretending his hand is a microphone. “Chicken titties.”

“Yeah, we’re cutting you off,” Jungwoo decides. “You need to go home and sleep.”

“Someone should make sure you get back to your place okay,” Jaehyun notes, standing from his chair.

“I’ll take care of her,” comes Mark’s voice from the other end of the table.

Jaehyun turns to stare at the line chef, who also stands up. 

John is next to you, and you watch a knowing expression appear on his features, grinning as he sips his beer. 

“You still have half your drink left,” Jaehyun insists, “And, I’ve known our little miss Sunshine for much longer than you have. I’m sure she’s probably more comfortable with me taking her home.”

A muscle in Mark’s jaw feathers. You watch him reach down and grab his beer, downing the whole thing in three large gulps before wiping the back of his hand across his mouth.

Fuck, the motion reminds you of what he does whenever he eats you out, and you feel almost dizzy thinking about it.

“Who’s it gonna be, Sunshine?” Hyuck grins. “Jaehyun, or Marky boy?”

“Let’s go, Mark,” you say, offering Jaehyun a small smile. “We’ll see all you guys tomorrow.”

Jaehyun looks pretty defeated, but you can’t even bring yourself to care as Mark comes around the table to offer you his arm. At first, you think you don’t his help, but when you stumble after one step, you latch onto his bicep.

“I was hoping you’d go home with me tonight,” you whisper as the two of you exit to the parking lot, where Mark’s truck is waiting. He helps you climb inside, smiling and shaking his head.

“Sunshine, if you ever want me to go home with you, you don’t have to get drunk, just ask.”

Thirteen

“I’m really not that drunk,” you insist, making your way over to the liquor cabinet again.

Mark sighs. You’re a grown adult, he can’t keep directing you away from the booze. “Okay, I believe you. What do you want? Let me make it for you.”

“I want…” you think about it for a moment. “An espresso martini.”

“It’s late, won’t the espresso make it hard for you to sleep?” You’re definitely drunk and you both know it.

“I don’t care. Want espresso martini.”

“Okay, Sunshine, you got it.” Mark moves through your kitchen, finding the espresso machine there. He slips a pod into the device, setting up a cup. 

“Can you add honey?” you ask, already moving to the cabinet to grab a bottle. Mark takes it from you, squeezing some of the honey into the bottom of the cup as hot coffee begins to pour over it. “I also want Baileys.”

Mark laughs a little, shaking his head as you stumble to grab the large Irish Cream bottle from your cupboard.

“And also ice,” you declare. “Frothed.”

“This is a whole thing, huh?” Mark watches you fill the frother with Baileys. 

“I like what I like,” you insist. “We’re gonna triple froth this.”

“You’re the boss.” Mark reaches into his pocket, pulling out his vape. You’ve been letting him smoke in here, and he appreciates the reprieve as the two of you make this very complicated espresso martini. 

By the time you’re done with it, Mark’s not even sure you could call it an espresso martini. With the amount of frothed foam on top, this drink is something else entirely. 

He watches you lift the cup to your lips, immediately getting foam on your face. You simply giggle and wipe it off, licking your finger clean. Then you dip your digit into the froth, scooping it up and popping it in your mouth.

Mark swallows thickly while watching you do this.

“Puppy,” you groan, “this is so good.” You offer him your finger. “Try it.”

Mark can’t say no to you, so he allows you to dip your finger into his mouth. He licks you clean, watching the way your breath catches. You bite on your bottom lip, swaying a little on your feet.

“Your turn,” you say quietly, holding out the cup.

“My turn?”

“I wanna suck on your fingers.”

Mark knows you're drunk. He knows this probably isn’t the best idea for either of you, but he simply can’t say no to you. Not now, not ever. 

He dips his pointer into the foam, then presents it to you. 

You grab his wrist, keeping him still while you move forward to suck on his finger, releasing a small groan. Mark can already feel the blood rushing to his cock, but he ignores it as he goes for another scoop of froth. 

“Tastes better on you,” you tell him, licking his digit clean again. “More. Please.” 

The way you look at him each time you suck his finger tells Mark that you’re as horny as he is. When he scoops with two digits, you practically mewl as you lick.

“I wanna suck on something bigger,” you state.

“Sunshine,” Mark sighs, “I really don’t want to take advantage-” 

“You’re not. Mark, you’ve eaten me out so many times, please let me return the favour?” You’re already sinking to your knees on the kitchen floor, and the sight of you makes Mark’s cock throb in his jeans. “Please, I just wanna suck you off.”

“You know I can never say no to you.”

As the words leave him your hands find his belt. In moments, you’re pushing his pants down, your grip wrapping around the base of his cock. He watches you lick your lips, your gaze meeting his as you lean forward to take him into your mouth.

Mark immediately lets out a groan. “You feel so good, sunshine.”

You whimper around his length, and the vibration has Mark’s fingers twitching. He reaches for your head, cupping your face while you suck him off. His other hand places your drink on the kitchen counter before falling to his side. The line chef’s head falls back, his eyes closing as he eats up the feeling of you.

“That’s it,” he sighs, loving the way you twirl your tongue around his shaft.

You take as much of him past your lips as possible, the tip of his cock hitting the back of your throat. You gag around him, causing Mark’s eyes to fly open. He looks down at you with concern, but you keep sucking him.

“You don’t have to deep throat me,” Mark assures you, pushing some hair away from your face.

You let out a whine, sinking onto him again, only for your throat to constrict tight around his tip. 

Mark groans. “Fuck, Sunshine, I’m serious.”

The line chef could never do what you’re doing right now. Not because he’s not into cock, but because he has the worst gag reflex ever. He knows what it’s like to choke, and he doesn’t want you sputtering on his cock in the name of pleasuring him. 

When you try to deep throat him a third time, Mark simply pulls you off of him. He’s struck by the view of a string of saliva keeping you connected to his cock, and the way you look up at him in a confused daze has his heart thundering in his chest.

“Enough of that,” Mark says softly. “Let me take care of you.”

He reaches down, gently taking your hands so he can help you to your feet. 

“Bedroom?” he suggests.

You nod, swallowing thickly and wiping at your mouth, then you dart off. You’re awfully agile for a drunk girl, and Mark smiles to himself before following you. By the time he’s made it to the bedroom, you’ve already stripped.

You’re sitting on the bed, grinning at him with a hint of mischief in your eye.

“Take advantage of me, Mark,” you say as he pulls off his shirt.

“Jesus,” Mark whispers. “I hate to say it, but that line is not enticing at all.”

He’s still kind of questioning if this is a good idea, but at the same time, you’ve already fucked on multiple occasions. He knows you want him sober, and especially - it appears - while drunk. 

“Come on, please?” You pout out your lower lip.

Mark slips out of his jeans, joining you on the bed. You wrap your arms around the back of his neck, pulling him in for a kiss while your legs encircle his hips.

As his cock slips past your core, Mark is shocked at how wet you already are. Booze has really done a number on you, but neither of you are complaining.

“You sure you want this?” he asks.

“Don’t make me beg,” you laugh, “Cuz I will.”

“No, it’s okay,” Mark swallows the lump in his throat. “Just checking.”

Before he can reach for his cock, you beat him to it, grabbing the base and lining his tip up with your entrance. “Fuck me, Mark, I’m begging for it.”

He presses his lips hard against your own as he pushes into your wet hole, both of you groaning loudly at the feeling. 

“Shit,” you whimper, breaking the kiss to look up at him, “I’m so sensitive today-”

“Alcohol does that sometimes,” Mark notes, bringing up a hand to cup your breast. When his fingers pinch your nipple, you let out a high pitched squeal, pushing your chest up toward his palm. 

“Fuck, Mark-” Your pussy clenches tight around him, and the feeling makes Mark dizzy. 

“You sound so good, Sunshine, and you’re gripping me so fucking hard-” Mark begins to fuck into you. Your nails claw at his arms, your head thrown back, eyes closed.

Mark reaches down to rub your clit. You shudder below him, legs tightening around his hips. “Fuck, fuck, fuck-” you moan loudly. “Just like that-”

He applies more pressure to your sensitive bud, making your hips buck toward him, your core clenching him in a death grip. 

“If you keep squeezing me like this, I’m not going to last long-” he warns you, tension building in the base of his cock.

“I want you to cum,” you insist, opening your eyes to look at him.

“Don’t you want to try and get there too?” he asks. 

“I don’t-” you swallow thickly, “I don’t think I’ll be able to.”

“Let me fuck you a little longer, yeah?” Mark prompts. “I can wait a bit. Actually, we should switch positions.”

“To what?”

“Can you get on your knees for me?” he asks.

“Yeah,” you nod quickly. As soon as Mark pulls away, you’re flipping over, pushing your ass into the air for him.

“Fuck, what a view,” he breathes, hands smoothing across your bum. 

You whimper, and the sound encourages Mark to slip himself into you again. The sigh of relief that leaves you has Mark’s skin tingling, his grip finding your hips. 

“It’s so deep,” you groan, tangling your fingers in the sheets.

You’re right about that- your wet pussy is taking every inch Mark has, and each smack of his hips against your ass has you getting even wetter. He’s pretty sure you’re dripping down your thighs at this point, and his fingers dig into your skin even harder.

The sounds you’re making are like music to his ears. Your grip on his cock is insane. Mark’s pretty sure tonight is going to be the night that you cum- but as he continues fucking you, it becomes more and more clear that only one of you is going to get there- and fast. 

“Fuck,” Mark grunts, his heart racing in his chest as he picks up the pace of his thrusts. 

“Cum in me,” you insist, reaching behind yourself.

Mark grabs your hand, lacing your fingers and holding you against the small of your back.

“You really want me to cum?” he asks, breathless.

“Please,” you nod, squeezing his hand. “Wanna be full.”

Again, Mark can’t say no to you.

“Okay, fuck, I’m gonna cum,” he whispers, fucking you even harder. “Shit-” 

His orgasm hits straight on, tingling through his entire body like an electric jolt. He pushes his cock into you as deep as it can go, feeling it throb as he coats your walls in cum. Mark throws his head back, eyes closed, overcome by the pleasure that courses through him.

He’s not the type that can fuck someone through his high. When he cums, he has to stop, has to experience the feeling in full. His mind goes completely blank…

But his first thought when the words come back is that he should tell you he loves you.

Fuck. This is becoming a problem. 

Every time he cums deep inside of you, his feelings grow. He’s overwhelmed with this sense that you’re meant to be, that he should just lock you down and let you know how much you mean to him.

But as always, that logical side rears its head, reminding Mark that it’s only been a few weeks of seeing each other. He needs to take things slow- for your sake. He doesn’t want to scare you away. Being a safe space for you includes watching his tongue, it means not putting pressure on you like this- 

If there’s one thing that will pressure you, it’s the admittance that he’s kind of in love with you.

Instead of saying what’s on the tip of his tongue, Mark pulls out of you. He gets you a tissue for the cum that begins to drip out of your pussy, and a cup of water to make sure you’re hydrated. Once you’ve both cleaned up in the bathroom, he cuddles you close to his chest, stroking your back and listening to you breathe.

To Mark’s complete shock, you fall asleep on him within minutes. 

It’s a sign that you’re truly feeling safe with him, and Mark thinks he must be going in the right direction. He’s careful not to wake you up, he simply enjoys the feeling of holding you close while you rest.

Fourteen

You wake up slowly, cuddling closer to the warmth next to you. It takes you a moment to realize that the heat is coming from Mark, and you open your eyes to stare at him.

“Morning,” Mark grins, putting down his phone to watch you. “Sleep well?”

“Shockingly well,” you grin, snuggling closer. “You?”

“I like sleeping next to you,” Mark muses, wrapping his arms around you. “You know, I was thinking I could make you breakfast or something. Neither of us have work today.”

“Breakfast?” You perk up.

“Yeah, I can cook most breakfast or brunch foods, but uh… don’t ask me to make eggs.”

“Eggs?” You raise your brows, looking at him with a laugh.

“I know, it’s stupid cuz I’m literally a line chef, but I never went to school for it, remember?” Mark grins, stroking your skin. “John tried to teach me during brunch last week but I just- don’t have the patience for eggs.”

“Poor John, hired a chef who can’t cook eggs,” you tease. “Are you sure you don’t want something else for breakfast?”

“Like what?”

“Like… me?” 

Mark laughs. “As much as I’d love to fuck you today, I feel like- maybe it would be nice to not sleep together this morning... You know this isn’t just sex for me, right?”

“Yeah, but… sex is nice, isn’t it?”

Mark strokes your cheek, meeting your eyes. “Sex with you is always nice, but I think I kind of want to be domestic with you today instead, if that’s okay.”

Your heart clenches in your chest at his words. You can’t help but lean forward and kiss him gently. “That’s okay with me.”

“Good,” Mark grins. “Let's cuddle some more, and when you get hungry, I’ll take care of the food.”

As you slowly wake up next to Mark, you’re struck by how comfortable you are. Being with him like this feels natural. There’s no pressure to fuck, no need to suck dick in order to earn affection- Mark simply cares about you, and it’s clear in the way he holds you.

If you’re not careful, you could get used to this.

Fifteen

Since the ‘Christmas’ party, Mark’s been wanting to broach the subject of Jaehyun with you, but in the handful of times he’s slept over with you since then, it’s just never come up.

Today, watching Jaehyun talk with you by the bar, the question is fresh on Mark’s mind, and he only has one person he can justifiably ask about it.

“So… how close are Jae and y/n?”

“Hmm?” Hyuck looks up from the burger he’s stacking. “Oh, those two? Pretty close.”

Mark groans at the lack of detail. “Did they ever date?”

“I think she’s definitely his work crush. Pretty sure he’s asked her out a few times, but I don’t know if she realized it was a date sort of thing.” Hyuck laughs to himself. “I actually walked in on him asking her out around Halloween, but I think she thought it was a group idea. She rejected him though.”

“Looks like he hasn’t taken the hint,” Mark says, mouth forming a firm line.

“Nah, Jae has a pretty big ego. I mean, you’ve seen his face. He’s not used to rejection, it doesn’t compute for him.”

Mark doesn’t say anything, he simply goes back to the alfredo he’s cooking. But it becomes clear that Hyuck doesn’t want to let this go.

“You’re jealous, aren’t you, Marky boy?”

“No.”

“Yes, you totally are,” Hyuck grins. “How long have you and Sunshine been seeing each other now?”

“Like… three weeks? A month almost?”

“Have you talked about being exclusive or anything?”

“Not really.”

Hyuck rolls his eyes. “It’s a yes or a no, Mark. There’s no ‘not really,’ when it comes to ‘the talk.’”

“No, we haven’t talked about it,” Mark admits with a sigh.

“Sounds like something you want though, right?” Hyuck presses.

“I thought I said I wasn’t going to talk to you about this anymore.”

“You’re the one who brought up Jae,” Hyuck points out, raising his hands in mock defense. 

Mark supposes Hyuck is right about that. He’s been considering defining the relationship recently- thinking about how a label could offer you safety, stability, things that are needed to help you relax. 

But now, the label transcends the use for comfortability and cumming, it almost feels needed.

You’re hot. Mark knows that. He sees the way people hit on you every day while you’re working. At first, he’d been okay with it- but now, he thinks maybe he needs something more. Maybe he needs the comfort of knowing that you’re taken, by him. 

He’s not the type to feel insecure, and he’s not even sure that insecurity is the right word for what he’s feeling.

All Mark knows, is that he wants to get to the next level with you, and he’s going to pull up his big boy pants to finally do it.

Sixteen

You’ve been at home for a few hours, having been cut from work early since it was a slow day, and you’re a little surprised when Mark calls you around dinner time.

“Hey you,” you grin, collapsing onto your bed to give Mark your full focus.

“Whatcha doin?” he asks.

“Just sitting here, was thinking of watching a movie. How about you? Just got off work?”

“Yeah, in a minute, just taking a vape break first. I was thinking maybe you’d let me see you when I’m off?”

“Definitely, you know my door is always open for you. But I should warn you, I have literally nothing in my fridge.”

“That’s okay, I’ll make your favourite and bring takeout,” Mark assures you. “See you in like… half an hour?”

That’s how Mark shows up on your home a short while later. You look him up and down, taking in his work outfit. “Didn’t wanna change after shift?” you grin, holding your door open for him.

“I uh, wanted to see you. Need a shower, so I figured I’d put on my fresh clothes after that.”

“Sounds good, you know that my home is your home. Go shower, I’ll put our food in bowls.” You accept the takeout from Mark, intent on turning to head to the kitchen- only for him to pull you back into an embrace.

“Hi,” he mumbles, kissing the side of your head and nuzzling against your hair.

“Hi,” you grin, turning in his arms to press your lips to his. “Go shower.”

“You got it.”

Mark goes into your bathroom, and a moment later you hear the water begin to run. You take your time in the kitchen. Mark has made himself alfredo, and he’s cooked your favourite rice bowl for you. You smile to yourself while plating the food, loving how domestic things have gotten with Mark.

Part of you is tempted to join Mark in the shower, but you’re not sure if you’re there yet, so you wait patiently for him to finish. This isn’t the first time he’s showered at your place, and you trust he’ll see his designated towel hanging on the hook behind your door. 

You kind of enjoy that he’s gotten so comfortable at your home. You’ve been spending so much time with him here and at work that it feels kind of odd when he’s not around. 

Soon, Mark is coming out of the bathroom. He’s in sweatpants and a tank top that shows off his tattoos. You have to actively stop yourself from drooling as you move to sit at the dinner table.

“So… did you need to talk to me about something?”

“Hmm?” Mark sits across from you.

“We didn’t have plans, you called and wanted to come over, I guess I’m just wondering if you had a specific reason.”

“Can’t I just miss you?” he grins.

Despite his words, it’s clear that there’s more to it, however you drop the issue. When Mark is ready to be real with you, he will be. You have time until then.

Mark begins to talk about work, how it had gotten busy after you’d left. You listen, happy to chat with him while you eat. 

After food, the two of you move to the couch, cuddling up while Netflix starts.

You’re two seasons into your anime already, it’s funny how time flies. You can turn your brain off when Mark spoons you, his lips pressing soft kisses to your shoulder every now and again.

One episode in, Mark reaches over you for the remote, pausing your show. 

“I guess there is a reason I wanted to come over,” he admits finally.

“Yeah?” You turn onto your back, looking up at him. 

“I hate to say that I’ve been jealous, but uh… since the Christmas party, I’ve been a little jealous about you and Jaehyun.” Mark won’t meet your eyes, and you give him the space to continue. “I just… people are always hitting on you, and I don’t know, I think… I mean, I’m a serial monogamist according to Hyuck, and I know we haven’t been seeing each other for that long, but I only see you, in all ways, and I just… I don’t want to lock you down if you’re not looking for something serious, but I guess I wanted to know how you feel about exclusivity and that sort of thing.”

“With you? Mark… I’d love to be exclusive.” You let out a small laugh. “Don’t you realize that I have to watch girls flirt with you too? Maybe we’ve both been jealous.  I think… locking each other down would be good for us.”

“Yeah?” Mark’s beaming now.

“You’re special,” you confess. “I’ve never been able to sleep next to a guy I’ve slept with, which feels like such a contradiction- but sleep has always come easy with you. I’ve never felt such a lack of pressure- such acceptance, for all of me, the good and the bad. I like you a lot Mark, and I’m sorry if I didn’t make that clear.”

“It’s not that it wasn’t clear,” Mark assures you, cupping your face, his thumb stroking your cheek. “I just… I know you have that wild side, which is totally valid, I just wasn’t sure you were a settling down type.”

“I wasn’t so sure I was either, and then I met you.”

Mark kisses you instead of responding, but you can feel the emotion in the press of his lips against yours. He’s elated by what you’ve just said, and you’re close to floating to cloud nine too. 

Even so, there’s something else. You can feel it in the slight tension of his shoulders when your fingers brush over his skin.

“Mark?” you break the kiss, blinking at him. “Is there something else on your mind?”

“It’s just… I know I said there’s no pressure, but I really wanna help you cum. And I’ve been thinking maybe… maybe we could use some of your toys.”

“My toys?”

“Like… some girls cum better with a vibrator, and if you have one, I’d love to use it on you.”

“Really?” You’re shocked. Lots of men think their dick is good enough, they feel emasculated to bring sex toys into the mix- but here’s Mark, being as contrarian as ever. 

“Even if it doesn’t help you cum, I still think it would be fun. I’m not trying to pressure you-”

“We can use my vibrator,” you assure him, heart thundering in your rib cage at the mere thought of it. 

No man has ever used a sex toy on you- it’s probably one of the reasons you’ve never cum with a lover before.

“Come on,” you sit up, heading to your bedroom while Mark follows. “I keep my toys in the closet,” you explain, bending down to find the shoe box that stores your vibrator. You pull the device out, showing it to Mark. “Is this going to work?”

“Yeah, it will work.” Mark watches you stand up, and he holds out his hand for you to pass the toy to him. “I’m uh… I’m gonna put this down so I can get you naked.”

“Okay,” you grin.

He sets the vibrator on your bed gently, turning to you. Mark grabs your face first, pulling you in for a kiss. He’s gentler than you thought he would be, but you don’t mind it. You like getting lost in the feeling of Mark, allowing him to guide you toward the bed.

When you reach your mattress, his hands slip down to the hem of your shirt. He carefully removes it, and you lift your arms to help him with the task. Mark doesn’t immediately go for your pants next, he kisses you again instead, cupping your cheek with one hand while the other grabs the small of your back.

His touch is so gentle, smoothing across your skin. It’s making you even more eager, and you find yourself removing his shirt before he begins to work on your sleep shorts. Soon, you’re just in a bra and panties, but even those get taken off. 

When you’re completely bare, Mark gently pushes you down onto your bed, eyes taking in your body.

“You’re so fucking pretty,” he muses.

Your skin heats at the praise, and you begin to close your thighs, only for Mark to gently prompt them open. 

“Don’t hide from me, please,” Mark says softly, getting onto his knees at the foot of your bed. He leans forward, pressing a kiss to your clit before he pushes his tongue into your wet hole.

You breathe a sigh of relief, threading your fingers through his hair. You adjust your thighs on his shoulders, trailing your toes against his well-defined back. 

He eats you out for a little while, groaning as he goes. It’s clear to you now that Mark enjoys getting his fill of you, and it makes the experience ten times more enjoyable for you. You’ve been getting better at slowing your mind while Mark licks at your clit, better at focusing on him and not all the worrying thoughts that generally buzz around you.

You feel the bed shift, and you open your eyes to see Mark has reached for the vibrator. He turns it on, assessing the way the toy shakes on the lowest setting. “Do you wanna show me where to use this, sunshine?” he asks, holding it out to you.

With a deep breath, you nod, accepting the toy and bringing it to your clit. “I like… a good amount of pressure,” you tell him, showing him exactly where you like the vibrator to be held.

It feels kind of odd to be pleasuring yourself like this in front of Mark, but from the way his pupils are blown, eyes fixed completely on your core, you can tell that he’s enjoying the view. It makes you feel more confident, as you begin to drag the vibrator side to side, teasing yourself. 

“This sort of movement is good too,” you tell him.

“Can I take over now?” he asks.

You nod, allowing him to grab the handle of the toy. 

Now that you’re not the one holding it, you can focus completely on the feeling of your clit being vibrated. It feels amazing, your toes curling at the stimulus.

Mark’s free hand is on your inner thigh, smoothing against your skin, but soon, it joins the vibrator. He teases two fingers along your folds before pushing them into you, crooking them up to find the spongey spot that has you crying out.

“You make such pretty sounds,” Mark tells you, applying more pressure to your clit with the vibe. “Fuck, I could watch you like this all night.”

“Puppy-” you whimper, skin tingling at his words.

“You have no idea how good you look,” he continues. “I swear- I want you to cum, but even if you don’t, I’m not going to be able to forget about this. This view is- fuck, it’s the best view in the world. We’re going to be at work and this is all I’ll be thinking about. I won’t be able to get you out of my head.”

With each admittance, each uttered word of praise, you can feel the tension building in the pit of your stomach.

“Can you grind on this a little, sunshine? Grind on my fingers and your toy?”

“Yeah-” you whimper, hips moving as you try to follow with his prompt. 

“That’s it-” Mark groans. “Fuck, you’re so perfect.”

His fingers work harder inside of you, and the added pressure makes you squeal. You can’t help the way one of your arms comes up to cover your face, muffling your sounds as your body moves on it’s own accord now. You’re grinding against his hand, grinding against the vibrator that sends tremors of pleasure through your entire form.

“I’m so fucking lucky,” Mark tells you. “So lucky that you’re mine- I could watch you like this for hours and not get bored.”

“Mark-” you groan. Usually, when you acknowledge an orgasm building, it dissipates, like some cruel trick of fate, a complete defiance of the laws of physics- but this time, when you whimper “I’m close” the feeling doesn't fade, it only builds.

“Yeah?” Mark sounds shocked. “All it took was a vibe, huh?”

“And… and your praise-”

“You like when I talk dirty to you, sunshine?” Mark asks. “Like it when I tell you how perfect and pretty you are?”

“Yes-”

“Are you going to be a good girl and cum for me? Or should I finger fuck this cute little pussy even harder?”

“Oh my God-” you whimper. Mark has truly gotten comfortable with you now- he’s not holding back with his sinful words, and they make your stomach pull into a tight knot. “Please, harder-”

Mark presses the vibrator against your clit, turning up the vibration with his thumb while his fingers continue their brutal pace inside your core.

You find yourself gasping, unable to speak as he works you closer and closer-

“Cumming-” you whisper, your orgasm slamming into you like a train. 

Your breath catches, waves of pleasure surging through you. Your fists grip the sheets, your back arches, your thighs quaking around Mark. Whimpers and moans fill the room, your core pulsating around Mark’s fingers while he works you through your high.

“That’s it,” Mark groans. “That’s my good girl.”

“Puppy-” you breathe, the feeling almost becoming too much for you.

“What do you need, sunshine?”

“Your cock,” you blurt out. 

“Yeah?” Mark’s fingers slow inside your pussy. 

“Please, wanna cum on your cock-”

Mark lets out a breath. “Holy fuck.” He turns the vibrator off, taking his digits from your core. Mark licks them clean before he stands up, pushing down his sweatpants. “Move up the bed for me?” he suggests.

You wiggle up to the pillows, watching Mark get onto the mattress. He allows you to lock your legs around his hips, pulling him close while he crashes his lips to yours.

You tangle your fingers in his hair, kissing him deeply. He ruts his hips, allowing you to feel his cock dragging against your core.

Patience is a virtue, but you don’t have any left. You reach between your bodies, grabbing his hard length to line it up with your pussy. 

Mark slides into you, and you let out an immediate sigh of relief. His fingers had been nice, but his cock is even better. It stretches you open, you can feel him deeper than ever. You gasp against his mouth, dragging him closer as he begins to thrust into you. 

“You feel so good, sunshine,” Mark groans, breaking the kiss so he can press his lips to your throat. 

“Puppy-” you whimper, arching your neck so he has better access to find your sweet spot.

Mark captures your hands, lacing your fingers and pressing you into the bed while he fucks you. 

You can feel him everywhere. You’re completely bewitched by Mark Lee. Your core is practically dripping, each thrust made easy by the wet that exudes out of you. 

Then Mark is reaching for your vibrator. He sits up slightly, looking down at you. “Missionary? Or maybe doggy would be better?”

“I wanna see you when I cum again,” you tell him, accepting the vibrator he holds out to you. “Want you to see me cum with your cock in my pussy.”

Mark lets out a low groan, pressing his lips to yours as you turn on the toy, adjusting it onto your clit.

“If you can’t cum, that’s okay-”

“I think I’ll cum,” you assure him. “Just fuck me hard, and I’ll get there.”

“I can do that,” Mark grins, immediately picking up his pace and adding more power to his thrusts.

“And… tell me I’m pretty again?”

“Fuck, you’re so pretty,” Mark groans. “I’m so fucking lucky- how did I ever get this lucky?”

“Puppy-”

“You have no idea how into you I am- I love your sounds, love your voice- love the face you make when you feel good- love your smile-”

Each admittance has your heart buzzing in your chest. It’s crazy how easy it is for him to praise you- it almost feels like all these things were built up inside, like he’s a dam that’s just been released, and God, you love the flood.

You press the vibrator harder against your clit, entire body surging with energy. 

“You’re squeezing me so well, baby,” Mark groans, and the sound has your pussy throbbing. “Want you to cum with me so bad, do you think you can cum with me?”

“Yeah, just- kiss me?” you suggest.

Mark presses his lips to yours immediately, cupping your face with one hand. His tongue glides against your own. You eat up each other's sounds, getting completely lost in each other.

In no time at all, another orgasm is building in the pit of your stomach. 

“I’m gonna-” you whimper against his lips.

Mark fucks you even harder in response, and the motion is dizzying. 

“Please, sunshine, cum with me- fuck, I can’t hold it, cum with me-”

His words are your last straw as you explode on his cock. Your core clamps down hard, gasps of extacy escaping you.

To Mark’s credit, he holds off his own high long enough to fuck you through yours, and the moment you begin to be oversitmulated, he cums too. You can feel his cock throbbing in your pussy, his load spilling along your insides and coating your walls.

You kiss him deeply, enjoying his whimpers of pleasure.

You’ve never cum with someone balls deep inside of you before, and there’s a voice in the back of your mind itching for you to tell Mark that you love him- but you bite your tongue. You simply kiss him, holding him close while he finishes.

Finally, Mark lets out a small gasp, pulling away from your lips. His forehead presses against yours, and you’re both breathing heavily.

You’ve never felt this connected to someone in your entire life.

“Are you going to get us tissues?” you ask after a moment, letting out a small laugh.

Mark chuckles, pressing his lips against yours in a chaste kiss. “I just wanna enjoy you a second longer.”

“Puppy, you have literally all the time in the world.”

☀️ mlist + an. Thank you so much for reading! I really wanted to kick the year off with something more realistic. I wanted to write about a reader who over thinks, who doesn’t cum super easily like we usually see in fanfic. I wanted to touch on the realism of relationships, the use of sex toys, things discussed in the bonus like whiskey dick, domestic showers together and troubles sleeping next to someone new- I really hope you guys liked this even though it’s not as classic fanfic as I usually write :) 

🍭 support me by. sending a tip here or here - or become a patron to access monthly bonus content and extensions for fics like this one :) find the Patreon teaser below! 

🔮 preview. “I drank too much,” Mark admits. “Hyuck kept egging me on- I’m pretty sure he wanted to get me blackout so I couldn’t fuck you tonight- But I swear- whisky dick won’t last all night,” Mark tells you. “And, I mean, you know I love using your toys so it doesn’t even matter.” He’s adorable. Of course Hyuck wouldn’t take into account that sometimes Mark is perfectly happy making you cum with your toys and not fucking you at all. Mark truly is a man built for your pleasure, and you’re not surprised that ‘whiskey dick’ hasn’t phased him.

cw/ tw. drunk!Mark, shower shenanigans, fingering, pussy eating, use of toys/g spot stimulator, Mark has ‘whiskey dick’ and can’t get hard at first, unprotected sex, praise, dirty talk, munch!Mark, creampie/fullness kink, etc…  I petnames. (hers) sunshine. (his) puppy.

👹 rating. 18+ explicit I wc. 2.3k I teaser wc. 250

🌙 starring. Mark x afab!Reader

bonus

“Puppy?” You sit up in bed, holding your phone close. Mark’s at some boys night thing, and you really hadn’t expected to hear from him, but here he is, calling you at midnight.

“Hi, Sunshine.” 

“Hi Sunshine!” Someone else screams in the background.

“Oh my god, fuck off, Hyuck!” Mark yells back. “Not you, baby, I’m talking to Hyuck.”

“Yeah,” you laughed, “I gathered that.”

You’ve also gathered that your boyfriend is drunk. You can hear it in his voice, and when he begins to hiccup, it’s even more evident.

“So uh, I wanna see you.”

“You can see me tomorrow, we have dinner plans, right?”

“No, I wanna see you tonight and tomorrow,” Mark insists. 

“You do, huh?” God, he’s adorable.

“Yes, please.”

“Don’t you want to finish boys night?” you prompt, not wanting to get in the way of his time with friends. You know Jeno would get mad about Mark spending time with his ex instead of his boys, and you don’t want to be that girlfriend who restricts her lover from his bros.

“Nah, fuck this,” Mark says. “Jeno went home with a girl, it’s just me and Hyuck and Renjun and Chenle and Jaemin and Jisung-” Sweet Jesus, he’s listing half of your work staff. “But I wanna be with you. I can call a cab and be at your place in like, fifteen minutes?”

“Whatever you want, puppy,” you grin. “I’ll be here.”

☀️ to read the full fic AND 2.3k bonus NOW, subscribe to my Patreon, then click here

👹 or check out what else is on my patreon here

🔮if nothing strikes your fancy, check out my m.list

general taglist

@gotshinct - @subhyuck - @fraechan - @learnthisfeeling

@runahways - @d-abin - @milkteade - @woogyuhae 

@anothershorthuman - @nihxxy - @vantxx95 - @bangshii

@poutypoutybin - @notbeforelong - @creepybakeoven

@ninetechculture - @yungiland - @suhsfam - @binchangf

@chogiwapadada - @librarian-stacks - @meowniee

@learnthisfeeling - @gigilame - @cumtrov3rsy

@mocha000 - @darthlunaa​ - @just-here-to-read-01​ - @shiningnono

@lovelyhan - @grilledbananas - @aaniag

✘ nct taglist

@milkyway-vxm - @nctsawrus - @shiningdery - @freezerandfame

@fairieblog - @fairybr3ad - @peachyjaemin - @chemaistry

@sehunniepot

Thank you to those who interacted with the teaser

@nae-vm - @rum-gone-why - @kgneptun - @handinyourpants

@stolasisyourparent - @icedearlgreytea

[povlnfour]

ੈ✩‧₊˚ CONTENT CREATION (CL16)

pairing: charles leclerc x f!reader

summary: when ferrari hire a new content creator to help their social media presence, fans start noticing a certain friendship developing between her and their star driver.

*face claim: dina denoire (but please imagine her as you see fit)

scuderiaferrari just posted a photo ੈ✩‧₊˚

liked by 209,885 people

scuderiaferrari we’re all smiling and relaxing on media days📸

view all comments

user who is taking such good photos when did ferrari care about their social media

user okay loving all this content we are getting lately but what changed admin

user charles wearing white jeans gives me anxiety

user ferrari cooking something

ferrari just posted a reel ੈ✩‧₊˚

liked by 451,209 people

scuderiaferrari charles’ comments after the race have left us craving something 🍕

view all comments

user SO THAT WAS A GIRL’S VOICE RIGHT.

user IS THE NEW HIRE A GIRL

user so you DID hire a new media person… i knew all this content was too good to be true

ferrari just posted a tiktok ੈ✩‧₊˚

84k likes, 1.2k comments, 1k shares

video captions:

[carlos: is my person attractive?

charles *laughing*

carlos: that tells me everything!

charles: yes she is!

carlos: is it y/n then?

charles: i’m saying nothing]

ferrari charles and carlos play who am i featuring the members of our ferrari team!👀

top comments

user CHARLES WHAT DO U MEAN UR SAYING NOTHING.

user WHO IS Y/N AND WHY DOES SHE HAVE CHARLES LAUGHING LIKE THAT

user okay but carlos knowing he was immediately y/n from the way charles blushed👀 what does he know that we don’t she must be hot

user admin give us a y/n reveal💳💳💳

ferrari just posted a tiktok ੈ✩‧₊˚

39.8k likes, 415 comments, 890 saves

ferrari what time do our team arrive for our meeting?

top comments

user THIS IS THE FAMOUS Y/N???? SUDDENLY I UNDERSTAND CHARLES

user UMMM WHO IS THE GIRL

user double checking their team on the website it would appear she’s the content creator👀

user the one charles keeps mentioning???

user wait what time did the meeting start😭

yourusername 5… some of us were late

user IS THIS HER ACCOUNT BC IF SO…???? IM PANICKING SHES SO HOT

yourusername hi😭😭 yes this is me!!!

user oh my god she’s so hot

yourusername just posted a photo ੈ✩‧₊˚

liked by charles_leclerc and 56,408 others

yourusername first few months of many travelling the world have been a dream. grazi ferrari❤️

view all comments

user FINALLY FOUND UR ACCOUNT IVE BEEN WANTING TO SCREAM ABOUT HOW HOT YOU ARE FOR AGES

user was so focused on you i didn’t even notice the photo of charles

charles_leclerc no photo credits?

yourusername WAH WAH WAH

user how does it feel to liVE MY DREAM

yourusername pretty incredible tbh

ferrari just posted a video ੈ✩‧₊˚

[video captions:

CARLOS: who is most likely to be late because they overslept?

CHARLES: *laughing* probably y/n. she’s always late. i don’t think i’ve seen her be on time to a single meeting yet. she’s also notoriously hard to wake up and sleeps through her alarms and being shaken!

CARLOS: *teasing* you speak from experience, no?

CHARLES: *laughing* i’ve definitely struggled to wake her up a few times!]

twitter reacts ੈ✩‧₊˚

charles_leclerc just posted a photo ੈ✩‧₊˚

liked by landonorris, carlossainz55 and 561,356 others

charles_leclerc enjoying the summer break

view all comments

user IS THAT Y/N?

user so ferraris content creator gets to see charles shirtless ? where do i apply

yourusername nO pHoTo CrEdItS?!😤😤😤

user GET HIM

user not to be that person but if they went on holiday together that means they probably shared a hotel room right…

user oh they’re totally doing it

user can’t blame her at all i would too

yourusername just posted a photo ੈ✩‧₊˚

liked by charles_leclerc and 98,406 others

yourusername some well deserved time off🫶

view all comments

user UMMM THE SECOND PHOTO??? ITS GIVING BOYFRIEND

user BESTIE WE ALL KNOW UR TOGETHER JUST MAKE IT OFFICIAL‼️

user this is confirmation in my head

formula1 just posted a video ੈ✩‧₊˚

[video captions:

CHARLES: y/n how do i look?

Y/N: you look alright.

CHARLES: just alright? oh my god my heart is broken.]

top comments

user WHAT DO YOU MEAN YOUR HEART IS BROKEN CHARLES WHY IS HER OPINION SO IMPORTANT TO YOU👀

user oh so they spend the whole summer break together and now they’re in love????

user charles and y/n just announce you’re dating already i beg

user a whole formula 1 video and the first thing charles thinks of is to ask for y/n’s opinion… yeah we’ve lost him guys

user fr and i can’t even blame him have you SEEN her

yourusername just posted a photo ੈ✩‧₊˚

liked by charles_leclerc and 98,406 others

yourusername thanks idiot for mentioning my name constantly on the internet. glad to know i’m always on your mind (you’re on mine too)

view all comments

user OH MY GOD I KNEW IT

user TEARS THEYRE SO CUTE

user not ferrari playing matchmaker😭

charles_leclerc i love you. sorry i had to scream about it, glad i can do it double time now

charles_leclerc just posted a photo ੈ✩‧₊˚

liked by landonorris, carlossainz55 and 561,356 others

charles_leclerc shout out to ferrari for introducing me to the girl of my dreams and only being minorly annoyed when i decided to make her mine

view all comments

user SO REALLLL

user MOTHER AND FATHER!!! ITS OFFICIAL

user when will I have my fanfic worthy love story

carlossainz55 i can’t wait to third wheel for the rest of our career together

yourusername you love us really

carlossainz55 i do. i really do

—————

taglist (found here): @sunflower-golden-vol6 @six-call @skatingiswalkingincursive @peqch-pie @m0cha-bunny @ironmaiden1313 @champagnelovers101 @alessioayla @hobiismyhopeu @mingkyungseokie @woozarts @he6rtshaker @iluvvmeeee @goldenalbon @lucyysthings

as always, comments, likes, reblogs asks etc etc etc always greatly appreciated🫶 had a lot of fun w this one hehe

- giselle xx

[felikatze]

ISAT and Ludonarrative Harmony: Combat is a Storytelling Tool

Or: How Siffrin is stuck in the endgame grind, forever

Please Note: This is primarily aimed at an audience that already played In Stars and Time, because I am bad at explaining things, and it's good to already know what the fuck I'm talking about. I tend to only bring up game elements as I want to talk about them.

Spoilers for.... all of ISAT! Especially Act 5!

(image to show how i feel posting this and as an attention grabber over my wall of text)

To pull a definition of ludonarrative harmony out of a hat, game writer Lauryn Ash defines it as follows:

Ludonarrative harmony is when gameplay and story work together to create a meaningful and immersive experience. From a design implementation perspective, it is the synchronized interactions between in-game actions (mechanics) and in-world context (story).

It is, generally speaking, how well game mechanics work hand in hand with the story. I, personally, think ISAT is an absolute masterclass of it, so I want to take a look at how ISAT specifically uses its battle system to emphasize Siffrin's character arc and create organic story moments. I want you to keep this in mind when I talk here.

So, skills, right? If you've played any turn-based RPG, you know your Fire spells, your "BACKSLASH! AIRSLASH! BACKSLASH!" and the many ways to style those.

Well, what does casting "Fire" say about your character? Not all that much, does it? Perhaps you'll have typical divisions. The smart one is the mage, the big brawny one is your tank, the petite one's the healer. And that's the barebones of ISAT's main party, but it's much more than that.

Every character's style of combat tells you something about them. Odile, the Researcher, is the most well-travelled and knowledgable of the bunch. She's the one with the expertise to keep a cool head and analyze the enemy, yet also able to use all three of the Rock-Paper-Scissors craft types.

To reflect her analytical view of things, all her skill names are just descriptive, the closest to your most bog-standard RPG. "Slow IV" or "Paper III" serve well to describe their purpose. The high number of the skills gives the impression there were three other Slow skills beforehand - fitting, considering the party starts at level 45, about to head into the final dungeon. She's also the oldest, so she's the slowest of the bunch.

Isabea, the Fighter, has all his skills in exclamation points. "YOUR TURN!!!" "SO WEAK!!!" "SMASH!!!" they're straightforward, but excited. He's a purposefully cheerfull guy, so his skills revolve around cheering on his allies. He's absolutely pumped to be here, and you see that from his skill names alone.

Mirabelle, the Housemaiden, is an interesting case. She's by all means the true protagonist of this tale - She's the one "Chosen by the Change God," the only one who survived the King's first attack, the only one immune to his ability to freeze time, the only dual-craft type of the game - just a lot of things. And her skill names reflect that facade she puts on herself - she can do this, she can win! She has to believe it, or else she starts doubting. This is how you get "Jolly Round Rondo" and "Mega Sparkle Heal" or "Adorable Moving Cure." She's styled every bit a sailor scout shojo heroine, and her moveset replicates the naming conventions of "In the name of the moon, I'll punish you!"

Even Bonnie, the Kid, who can't be controlled in combat, has named craft skills. And they very much reflect that Bonnie is, well, a kid. "Wolf Speed Technique" or "Thousand Blows Technique" are very much the phrasings of a child who learned one complicated word and now wants to use it in everything to seem cooler than they are, which is none, because they're twelve.

Siffrin's skills are all puns.

You have an IMMEDIATE feel for personality here. Between "Knife to Meet You!" and "Too Cleaver by Half," you know Siffrin's the type to always crack a joke no matter the situation, slinging witticisms around to put Sonic the Hedgehog to shame. It's just such a clever way to establish character using a game mechanic as old as the entire history of RPGs.

This is only the baseline of the way the combat system feeds into the story, though.

The timeloop, of course, feeds into it. Siffrin is the only character who retains experience upon looping, whereas all other characters are reset to their base level and skills. And it sucks (affectionate).

You're extremely likely to battle more often the earlier in the game you are - after all, you need the experience (for now.) Every party member contributes, and Siffrin isn't all that strong on their own, since they focus on raw scissor type damage with the addition of one speed buff. (Of course it's a speed buff. They're a speedy fucker. Just look at him).

At first, the difference in level between Siffrin and the rest of the group is rather negligible. Just a level or two. Just a bit more speed and attack. And then Siffrin grows further and further apart. Siffrin keeps learning new skills. He gets a healing skill that doubles as an attack boost, taking away from both Mirabelle's and Isabeau's usefullness. He gets Craft skills of every type that even give you two jackpot points instead of one - thus obliterating Odile's niche. Siffrin turns into a one-person army capable of clearing most encounters all on their own.

Siffrin's combat progression is an exact mirror of story progression - as their experience inside the loops grows, they also grow further and further away from their party. The party seems... weaker, slower, clumsier. Always back at their starting point, just as all of their character arcs are reset each loop. Never advancing, always stagnant. And you have Siffrin as the comparison post right next to them.

I also want to point out here a change from Act 2 to Act 3 - Siffrin's battle portrait. He stops smiling.

Battles keep getting easier. This is true both for the reason that Siffrin keeps growing stronger even when all enemies stay the same, but also for the reason that you, the player, learn more about the battle system and the various encounters, until you've learned perfect boss clear strategies just from repetition. Have you ever watched a speedrunner play Pokemon? They've played this game so many times, they could do it blindfolded and sleeping. Your own knowledge and Siffrin's new strength work in tandem to trivialize the game's entire combat system as the game progresses.

(Is it still fun? Playing it over, and over, and over again? Is it?)

You and Siffrin are in sync, your experience making everything trivial.

As time goes on, Siffrin grows to care less and less about performing right for their party and more and more about going fast. A huge moment in his character is marked by the end of Act 3; because of story events I won't delve too deeply into, Siffrin has grown afraid of trying something new. And his options of escape are closing in. They need an answer, and they need it fast. He doesn't have the time or patience to dumb himself down, so you unlock one new skill.

It doesn't occur with level up, or with a quest, or anything at all. At the start of Act 4, it simply appears in Siffrin's Craft skills.

(Just attack.)

No pun. No joke. Just attack. Once you notice, the effect is immediate - here you have it, a clear sign of how jaded Siffrin has become, right at every encounter. And it's a damn good attack, too! The only available attack in the game that deals "massive" damage against all enemies. Because it doesn't add any jackpot points (at least, it's not supposed to), you set up a combo with everybody else, but Siffrin simply tears away at the enemy with wild abandon. Seperated from the rest of the party by the virtue of no longer needing to contribute to team attacks (most of the time. It's still useful if they do, though).

Once again, an aspect of the battle system enhances the degree of separation between Siffrin and the static characters of his play. You're incentivized to separate him, even.

Additionally, there are two more skills to learn. They're the only skills that replace previous skills. You only get them at extremely high levels, the latter of which I didn't even reach on both of my playthroughs.

The first, somewhere in the level 70 range, Rose Printed Glasses, a paper type craft skill, is replaced by Tear You Apart. It's still a pun about paper, but remarkedly more vicious.

The second is even more on the nose. At level 80, In A While, Rockodile!, a rock type craft skill, is replaced by the more powerful Rock Bottom.

I didn't get to level 80. If you do, you pretty much have to do it on purpose. You have to keep going much longer than necessary, as Siffrin is just done. And the last skill he learns is literally called Rock Bottom.

What do I even need to say, really.

Your party doesn't stay static forever, though.

By doing their hangout quests, side quests throughout the loops that result in Siffrin and the character having a heart to heart, all of them unlock what I'd call an "ultimate" skill. You know the type - the character achieved self-fulfillment, hit rank 10 on their confidant, maxed out their skill tree, and received a reward for their trouble.

These skills are massively useful. My favorite is Odile's - it makes one enemy weak to all Craft types for several turns, which basically allows you to invalidate the first and third boss, as well as just clown on the King, especially once Siffrin starts racking up damage.

But the thing is. In Act 3, when you first get them, yeah, they're useful. But... do you need them? After all, they're such a hassle to get. You need to do the whole character quest again, you can't loop forward in the House or you'll lose them. If you want to take these skills to the King, you need to commit. Go the full nine-yards and be nice to your friends and not die and not skip forward or skip back. Which is annoying, right?

Well, I sure did think so during Act 4. After all, a base level party can still defeat the King, just with a few more tricky pieces involved. Siffrin can oneshot almost all basic enemies by the time of Act 4. It's this exact evalutation that you, the player, go through everytime you return to Dormont. Do I want this skill, still? Would it not be faster to go on without it? I'm repeating myself, but that's the thing! That's what Siffrin is thinking, too!

I also want to take a quick moment to note, here - all skills gained from hangouts have art associated with them, which no other skills do. This feature, the nifty art, hammers home these as "special" skills, besides just how they're unlocked.

Siffrin also has one skill with associated art.

Yeah, you guessed it, it's (Just attack.)

At first, helping the characters is tied to a hefty in-game reward, but that reward loses its value, and in return devalues helping Siffrin's friends every loop. It's too tedious for a skill that'll make a boss go by one turn faster. You, the player, grow jaded with the battle system. Grinding experience isn't worth it, everybody's highest levels are already recorded. Fighting bosses isn't worth it, it's much faster to loop forward.

Isn't this what all endgame in video games looks like? You already beat the final boss, and now... what challenge is left? Is there a point to keep playing? Most games will have some post-game content. A superboss to test your skills against, but ISAT doesn't have any of that. You're forever left chasing to the post-game. That's the whole point - to escape the game.

As most games get more difficult as time passes, ISAT only gets easier. The game becomes disinterested in expanding its own mechanics just as I ran out of new things to fight after 100%-ing Kingdom Hearts 3. Every encounter becomes a simple game of "press button to win."

The final boss just takes that one up a notch.

Spoilers for Act 5 ahead boys!

In Act 5, Siffrin utterly loses it. His last possible hope for escape failed him, told him there's nothing she can do, and Siffrin is trapped for eternity. So of course, they go insane and run up the entire House without their party.

This just proves what you already knew - you dont need the party to proceed. Siffrin alone is strong enough. And here, Siffrin has entirely shed the facade of the jokester they used to be. Every single skill now follows the (Just attack.) naming conventions. Your skills are: (Paper.) (Rock.) (Scissors.) (Breathe.)

To the point. Not a moment wasted, because Siffrin can't take a moment longer of any of this. Additionally, his level is set to 99 and his equipment becomes fixed. You can't even pick up items anymore! Not that you needed them at this point anyway, right? Honestly, I never used any items besides the Salty Broth since Act 2, so I stopped picking items up a long time ago. Now you just literally can't.

Something I've not talked about until now - one of the main equipment types in this game are Memories, gained for completing subquests or specific interactions and events. They all by and large have little effects - make Odile's tonics heal more, or have Mirabelle cast a shield at the start of combat. For the hangout events, you also gain an associated memory that boosts the characters' stats by 30. It lets them keep up with Siffrin again! A fresh wind! Finally, your party members feel on par with you again!

...For a time. And just like that, they're irrelevant again, just as helping them gave Siffrin a brief moment of hope that the power of friendship could fix everything.

In Act 5, your memory is set to "Memory of Emptiness." It allows you to loop back in the middle of combat. You literally can't die anymore. Not that Siffrin could've died by this point in the first place, unless you forgot about the King's instant-kill attack. This one memory takes away the false pretense that combat ever had any stakes. Siffrin's level being set to 99 means even the scant exp you get is completely wasted on them. All stakes and benefits from combat have been removed. It has become utterly pointless.

Frustrating, right? It's an artistic frustration, though. It traps you right here in Siffrin's shoes, because he hates that all these blinding Sadnesses are still walking around just as much. It all inspires just a tiny fraction of that deep rolling anger Siffrin experiences here in the player.

And listen, it was cathartic, that one time Siffrin snapped and stabbed the tutorial Sadness, wasn't it? Because who enjoys sitting through the tutorial that often? Siffrin doesn't. I don't, either.

So, since combat is an useless obstacle now meant to inspire frustration, what do you do for a boss? You can't well make it a gameplay challenge now, no. The bosses of Act 5 are an emotional challenge: a painful wait.

First, Siffrin fights the King, alone. This is already nervewracking because of one factor - in every other run, you need Mirabelle's shield skill, or else you're scripted to die. You're actually forced to fight the King multiple times in Act 3, and have to do it at least once in Act 4, though you'll likely do it more. Point is: you know how this fight works.

You know Siffrin's fight is doomed from the outset, but all you can do is keep slinging attacks. Siffrin is enough of a powerhouse to take the King's HP down, what with the healing and buff skills they have now, not to even mention you can just go all in on damage and then loop back.

(And no matter which way you play it, whether you just loop or use strategically, it reflects on Siffrin, too. Has he grown callous enough not even death will stop their mission? Or does he still avoid pain, as much as he can?)

This fight still allows you the artifice of even that much choice, not that it matters. The other shoe drops eventually - Siffrin becomes slower, and slower. Unsettling, considering this game works on an Action Gauge system. You barely get turns anymore. The screen gets darker, and darker. Until Siffrin is frozen in time, just as you knew he had to be, because you know how this encounter works, know it can't be cleared without Mirabelle.

And, then, a void.

Siffrin awakens to nothingness. The only way to tell you've hit a wall is if Siffrin has no walking animation to match your button inputs. You walk, and walk, until you're approached by.... you. The next enemy encounter of the game, and Siffrin's absolute lowest point: Mal Du Pays.

Or, "Homesickness," in english. If you know the game, you know why it's named this, but that's not the point at the moment.

Thing is, where you could damage the King and are damaged in turn, giving you at least a proper combat experience, even if its doomed to fail, Mal Du Pays has no such thing.

You can attack. You can defend. But it is immune to all attacks. And in return, it does nothing. It's common, at least, for undefeatable enemies to be a "survive" challenge, but nope. The entire fight is "press button and wait." Except, remember the previous fight against the King? The entire time, you were waiting for the big instant death attack to drop. That feeling, at least for me, carried forward. I was incredibly on edge just waiting for the other shoe to drop. And, as is a pattern, Siffrin is, too. As Siffrin's attacks fail to connect, they start talking to Mal Du Pays.

But he gets no response, as you get no attacks to strategize around. The wait for anything to happen is utterly agonizing. You and Siffrin are both waiting for something to happen. This isn't a fight. It just pretends to be. It's an utter rugpull, because Siffrin was so undefeatable for most of Act 4 and all of Act 5 so far. It's kind of terrifying!

and it does. It finally does something. Ma Du Pays speaks, in the voice of Siffrin's friends, listing out their deepest fears. I think it's honestly fantastic. You're forced to just sit here and listen to Siffrin's deepest doubts, things you know the characters could not say because it references the timeloops they're all utterly unaware of. This is all Siffrin, talking to himself. And all you, all Siffrin, can do, is keep wailing away on the enemy to no effect whatsoever.

So of course this ends with Siffrin giving up. What else can you do?

And then Siffrin's friends show up and unfreeze them and it's all very cool yay. The pure narrative scenes aren't really the main focus but I want to point out here:

A) Mirabelle is in the first party slot here, referencing how she's the de facto protagonist, and Bonnie fills in the fourth slot left empty, which shows all characters uniting to save Siffrin

B) this is the only instance of the other party members having act specific battle icons: they're all smiling brightly, further pushed by the upbeat music

C) the reflecting shield Mirabelle uses to freeze the King uses a variation of her hangout skill cut in, marking it as her true "final" skill and giving the whole fight a more climatic feeling.

It's also a short gameplay sequence with Siffrin utterly uninvolved in the battle. You can't even see them onscreen. But... it feels warm, doesn't it? Everybody coming together. Siffrin doesn't have to fight anymore.

At last, the King is defeated. Siffrin and co. make for the Head Housemaiden, to have her look at Siffrin's sudden illness. Siffrin is utterly exhausted, famished, running a fever. And this isn't unexpected - after all, their skills in Act 5 had no cooldown. For context, instead of featuring any sort of MP system, all skills work on a cooldown basis, where a character can't use it for a certain number of turns. The lowest cooldown is actually Siffrin's Knife to Meet You, which has a cooldown of 1. In universe, this is reasoned as the characters needing a break from spamming craft in order to not exhaust themselves.

Siffrin's skills in Act 5 having no cooldown/being infinitely spammable isn't a sign of their strength - it's a sign that he refuses to let himself rest in order to rush through as fast as possible.

Moving on, Siffrin panics when seeing the Head Housemaiden, because seeing her means one thing: the end. Prior to this in the game, every single time you beat the King, the loop ends when you talk to the Head Housemaiden.

Reality breaks down, the whole shebang. It's here that Siffrin realizes - they don't want the loops to end, because the end of their journey means their family will leave, and he'll be alone again. The happiest time of his life will be over.

Siffrin goes totally ballistic, to say the least.

As it turns out (and was heavily foreshadowed narratively), Siffrin has been using Wish Craft to subconciously cause the timeloop because of their abandonment issues. It's rather predictable if you paid attention to literally anything, but it's extremely notable how heavily Siffrin is paralleled to the King, the antagonist they swore to kill by themself at the start of Act 5. The King wants to freeze Vaugarde in time because it is, in his mind, "perfect," for accepting him after he lost his home - a backstory he shares with Siffrin.

Siffrin has become the exact antagonist he swore to kill, and it's shown by how the next fight utterly flips everything on its head.

Siffrin is the final boss.

In a towering form made of stars, Siffrin looks down at their friends. His face is terrified, because of his internal conflict; he can't hurt his friends, but he can't let them go, either. The combat prompt is simply changed to "END IT!"

This fight is similar to the previous, in that you just need to wait a certain number of turns until its over. However, this time, it's not dreadful suspense. It's... confusion, and hesitance.

You have two options for combat: Attack your friends, or attack yourself.

And... you don't really want to do either, I think. I certainly don't. But what else can you do? It's Siffrin's desires clashing in full force. Attack your friends, and force them to stay? Or attack yourself, and let them go safely without you?

Worth noting, here - when you attack Siffrin's friends, you can't harm them. Isabeau will shield all attacks. And when you attack yourself, Mirabelle will heal you back to full. And the friends don't... do anything, either. How could they? Occasionally, Mirabelle heals you and Isabeau shouts words of motivation, but the main thing is...

(Your friends don't know what to do.)

None of them want to harm Siffrin. Both sides simply stare at each other, resolute in their conviction but unwilling to end it with violence. It's of note that this loop, the last one, is the only loop where the King isn't killed. Just frozen. And now here is Siffrin, clamoring for the same eternity the King was. Of course everything ends in a tearfilled conversation as Siffrin sees their friends won't leave him, even after the journey ends, but I still have to appreciate this moment.

Siffrin is directly put in the position with their friends as his enemies, forced to physically reckon that keeping them in this loop is an act of violence, against both their friends, and against himself.

It's a happy ending. But... what does it mean?

Of course, ISAT is obviously about the fear of change. Siffrin is afraid of the journey ending, and of being alone. However, ISAT is also a game about games. Siffrin is playing the same game, over and over, because it's comforting. It's familiar. It's nice, to know exactly what happens next. These characters might just be predictable lines of dialogue, but... they feel like friends. Have you ever played a game, loved it, put countless hours into it, but you never finished it? Because you just couldn't bear to see it end? For the characters to leave your life, for there to be a void in your heart where the game used to be?

After all, maybe it became part of your routine! You play the game every day, slowly chipping away at it for weeks at a time. For me, I beat ISAT in four days. It utterly consumed me during this time. I had 36 hours of playtime by the end. Yeah, in that week, I did not do much more than play ISAT.

And once i beat it, i beat it, again. I restarted the game to see the few scenes I missed, most specifically the secret boss I won't talk about here. I... couldn't let go of the game yet. I wanted to see every scrap I could. I still do. I'm writing this, in part because I still do. It's scary to let go.

Ever heard the joke term of "Postgame Depression?" It's when you just beat a game, and you're suddenly sad. Maybe because the ending affected you emotionally and you need to process the feelings it invoked, or you search for something that can now fill your time with it gone.

The game ends, for real this time, the last time you talk to the Head Housemaiden. But Siffrin gets... scared. What if everything loops back again? And so, his family offers to hold his hand. They face the end, together.

For all loops, including the ending, you never see what happens after. After they leave the loop for good. Because the loop is the game itself. It's asking you to trust that life goes on for these characters, and it holds your hand as it asks you to let go. There's a reason for Siffrin's theater metaphors. He is the actor, and the director, asking everyone to do it over one more time. He's a character within the game, and its player.

There's a reason I talked about endgame content. This, the way it all repeats, there's nothing new, difficulty and stakes bleed away as you snap the game over your knee - it's my copy of White 2 with two hundred hours in it. It's me playing Fire Emblem Awakening in under 3 hours while skipping every cutscene. Are you playing for the sake of play, for the sake of indulging in your memories, because you're afraid of the hole it'll leave when you stop?

Of note: the narrative never condemns Siffrin for unwittingly causing their own suffering. He's a victim of circumstance. It's seen as endearing, even, that Siffrin loves their friends to the point of rather seeing the world destroyed than them gone. But Siffrin is also told: we'll stay with you for now, but we'll part ways eventually. And one day, you'll have to be okay with it.

Stop draining the things you love of every ounce of enjoyment just because you're afraid of what happens next. I'm not saying to never play your favorite games again. Playing ISAT a second time, I still had a lot of fun! I saw so many new things I didn't before, and I enjoyed myself immensely, reading the same dialogue over and over. But... it makes me look at other games I love and still play, and makes me ask... is this still fun? Do I still need to play this game to enjoy it? Even writing this is an afterimage of my enjoyment, but it's a new way to interact with the game, to analyze it through this lens. Fuck, man, I write fanfiction. Look at me.

All of this, fanart, fanfic, analysis, is a way to prolong that enjoyment without making yourself suffer for it. Without just going through the motions of enjoyment without actually experiencing any. But one day, the thing you love won't be fun to talk and write and draw about. And it's okay. You'll have new things to love. I promise.

In the end.... I'm certain I'll replay ISAT one day. Between great writing, art, puzzles and unresolved mysteries, it's my shoe-in for game of the year.

But I won't replay it for quite some time. I've had enough, for now, so I let my love take other forms.

Siffrin is never condemned, because love is no evil. Be it love for another person, or for a game. And please, if you're overempathetic - it's still a game, at the end of the day. The great thing about games is that you can always boot them up again, no matter how long its been.

A circle within a circle indeed.

To summarize:

The repetitiveness of ISAT's combat, lack of new enemies, and Siffrin's ever increasing strength eventually allows you to snap the combat over your knee, rendering it irrelevant and boring. Though this may seem counterproductive at first, it perfectly mirrors how Siffrin has also grown bored with these repeated encounters and views them only as an obstacle to get past. The reflection of Siffrin's own tiredness with the player's annoyance increases the compassion the player has for Siffrin as a character.

Additionally, the endgame state of the combat system serves as commentary on the state of a favorite game played too often, much like how Siffrin has unwittingly trapped themself in the loop. Despite the game having no more challenge or content left to over, a player might return to their favorite game anyway, solely to try and recreate the early experience of actually having fun with it. This ties into ISAT's metanarrative about the fear of change and refusal to let go of comfort even when the object (here, your favorite video game) offering that comfort has become utterly bereft of any substance to actually engage with. Playing for the sake of playing, with no actual investment to keep going besides your own memories.

Later on, stripping away even the pretense of strategy for a "press button and wait" format of final bosses highlights the lack of options at Siffrin's disposal and truly forces the player into their shoes. Truly, the only way to win is to stop playing.

[leclerc-hs]

ever heard of casual? - cl16

pairing: charles leclerc x nanny!reader (fem) summary: in which true feelings are kind of shown between charles and his daughter's nanny warnings: basically smut with some plot (LOL), bad french(please correct me), not proofread, 18+!!!! word count: 1,795 author's note: i really enjoyed doing the instagram au the other day so i wanted to include some of that into part 2!!! face claim is Hailey Bieber (you can picture nanny!reader however you want I just love Hailey so I'm sorry if you don't LOL). Also not kidding like single dad Charles got me in a HEADLOCK. also this is my Christmas gift to y’all 🤍 feel free to message me your thoughts!!! I love feedback and hearing from you all

part 2 to THIS (nanny series)

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yourusername

liked by charles_leclerc, yourbsf, lorenzotl, and 56,318 others yourusername a day well spent view all 2,376 comments leclerc_pascale tu es tellement adorable! bring her over now! yourusername on our way! user omg pascale commenting user I'm crying user i wish i could have her life charles_leclerc ❤️ user omg a heart?!!!??? user chill its prob for his daughter user a bit unprofessional if they date anyways yourbsf can't wait to see you tmrw! liked by yourusername

yourusername

liked by yourexbf, yourbsf, charles_leclerc, and 62,122 others yourusername got milk? view all 3,765 comments user i'm fucking screaming user she is so fucking hot. idk how charles handles it user she's not that pretty relax user does she ever even work? how is she able to be doing this user her life is a vacation yourbsf I'm DROOOOLING yourexbf 🥛🍼🐮 user isn't this her ex boyfriend? user are they back together? user did you see her friends stories? they looked cozy 👀 user i hope so. that means she wouldn't be with Charles user she is the nanny of his daughter! leave her alone!! charles_leclerc

liked by yourusername, lorenzotl, and 1,465,718 others charles_leclerc a tough few races but we gave it all we got. excited to be back home to see my girls! @vistajet view all 4,186 comments user girlS?!?? plural!!!!!! leclerc_pascale time for a haircut user LMAO user wtf girls? does he mean @/yourusername?? yourusername she's requesting you to play the piano asap!! liked by charles_leclerc and 5,392 others charles_leclerc looks like i'll have to teach you for when I'm away user OMGGGG user not him wanting to teach her piano!!!

yourbsf posted a story!

seen by arthur_leclerc, lilymhe, charles_leclerc, and 12,471 others tagged yourusername, yourexbf

yourusername

liked by charles_leclerc, yourexbf, landonorris, and 66,817 others yourusername about last night..... view all 1,329 comments landonorris date me please? charles_leclerc get out of her comments user LANDO SIMPING PUBLICLY user she def has most of the grid in a chokehold user CHARLES LMAO user but where is charles daughter? yourexbf such a fun night liked by charles_leclerc user they gotta be fucking or something user charles liking this. hELPPP leclerc_pascale a night deserved!

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THE ENSUING WEEKS unfolded in a hazy cascade, a whirlwind of experiences that blurred the boundaries of time. The dynamics with Charles remained poised, neither veering into awkwardness nor undergoing discernible alterations – an equilibrium that suited you perfectly. After all, you hadn’t harbored expectations of a budding relationship; rather, this interlude seemed more akin to an itch that required gentle satisfaction.

Well, it wasn’t altered, aside from the handful of orgasms he gave you before his departure for races. It felt as though the barrier between you both had fissured and ruptured beyond control, an unstoppable force. But you told yourself to keep it casual.

With Charles traveling the past few weeks for a triple header, the atmosphere between the two of you has gracefully sidestepped any foray into weighty matters. Interactions have been modest, primarily of facetimes with his daughter, and lighthearted banter via text messages. Aside from the one late night desperate and needy facetime call you had last week.

Yesterday marked a noteworthy occasion as, for the initial time in the span of weeks, you relished an entire day and evening in the company of all your friends. Pascale, in all her wisdom, insisted you merited a respite from the role of caregiver and assured that she will handle the little one for you.

A day immersed in sun and sea with close friends proved to be a much-needed respite from the past few weeks. This was complemented by an evening at the club, where pulsating beats, lively dance floors, and contagious laughter wove together, leaving behind a lasting sense of euphoria.

So, when you arrive to Charles’ apartment ready for a fun and relaxing day with him and his daughter for the first time since he left, you’re surprised to find Charles swinging the door open before you could even reach for the handle. You’re also surprised to find out that his daughter isn’t even here, and that she is still at Pascale’s.

“Où étais-tu?” Where have you been? His question was quick and short as he pulled you into the apartment, shutting the door behind you. You barely made two steps before his hand was gripping your hand, pulling you down the hall to his bedroom.

“Que veux-tu dire?” What do you mean? You were confused but didn’t refuse his touch as he pushed you to sit on the edge of his bed. “Content de te voir aussi.” Nice to see you too. Recognizing a hint of sarcasm in your tone, you conclude that adopting a bratty attitude probably wasn’t the wisest choice, especially given his apparent sour mood. 

He began restlessly pacing within the room, the muscles of his arms visible as he crossed his arms tightly over his chest in a display of frustration.

“Où est ma fille?” Where is my daughter? He was fully aware of his provocative tone. He possessed the knowledge of his daughter’s whereabouts, yet he seemed intent on provoking confrontation, eager to witness any response that might momentarily suppress the burgeoning jealousy within his chest. 

You found his accusatory tone unsettling, especially given the fact that you would never put his daughter in harm’s way. “Pascale’s. You know this.” You fought the urge to roll your eyes at him as he stood directly in front of you, a sinister gleam in his eyes as he finally made eye contact with you.

“How s’est pasée ta soirée?” How was your night? He knelt between your legs, eyes meeting yours at the same level, jaw tightly clenched. His two hands rested on each leg, fingers pressing into the skin of your thighs.

It wasn’t until then that it clicked. His behavior, all because of your night out. He knew of your ex-boyfriend from social media, but you never fully had a talk regarding him. Because why would you? This was all still very new. 

Navigating the relationship of you and your ex-boyfriend proved to be intricate, primarily owing to the longstanding history you shared since diapers. Originating as childhood best friends, a mutual decision was made to preserve the amicable bond even after the breakup. Given your shared history and overlapping friend group, the decision to maintain a friendship, sparing both parties the discomfort of awkwardness.

His hands slowly traced up the inside of your thighs, his fingers instantly contacting your lace covered center, thanks to the short, pleated skirt that adorned your body.

“Tu as passé un bon moment, hm?” Did you have a nice time? His tone was mocking. You felt yourself at a loss of words as his fingers slipped past your underwear, his thumb pressing circles directly to your clit.

You nodded slowly, delusional from how good his fingers felt on you. His other hand reached for the band of your underwear, pulling them off until they piled at your feet. His thumb, not easing up on your heated center. You let out a soft moan, leaning back on your two hands, as he pushed two fingers into you. His eyes, purely focused on watching his fingers slide in and out of you, wet and slick. 

“Rien à dire?” Nothing to say? His fingers sped up, your stomach clenching as you arched your back in complete pleasure. 

“I’m gon—fuck,” You couldn’t get complete words out. Every time you went to talk, his fingers assault on you would increase, leaving you nothing but a moaning mess on the edge of his bed.

He pulled his fingers completely out of you, letting you scream in frustration as he edged you. 

“Did you fuck him?” His words cut sharply, and the green of his eyes almost appeared black with intensity. Despite the anger he conveyed, a discernible undercurrent of vulnerability permeated his questions. It made your heart clench.

“No,” you were quick to answer. “Je ne ferais pas ça!” I wouldn’t do that!

His eyebrows furrowed as he slid his fingers back into you with urgency. “You sure?”

“Yes!” His fingers were quickly back on you, the need that bubbled deep in your stomach ready to tip over.  

It wasn’t until he shoved his head between your legs, his tongue replacing his thumb, and pressing it flat to your clit, that you were careening forward with a cry.

The assault of his tongue didn’t let up until you were pulling him by the hair on the back of his head, his mouth leaving your clit with a ‘pop’ noise. His lips were glistening as he brought his fingers to his mouth, sucking on them. 

“Tellement bien,” So good. He moaned with his eyes shut as he sucked you off his fingers, your eyes purely focused on his mouth and the hollows of his cheeks. 

Before you could even relax, he was scooping you up and flipping you over onto your stomach, and bunching your skirt high up on your waist. A harsh smack of your butt echoed off the walls of the bedroom.

“I should fuck the salope out of you,” his voice was deep with need as you heard the unzip of his jeans from behind you. His hands pressed your face into the mattress, nearly suffocating you, as he nudges his cock through your folds. But you didn’t care, the pleasure was too good.

He slid into you easily, your saturated walls slick from your previous orgasm. The burning stretch of his cock had you cry out a muffled yelp into the mattress. “Gonna take all of me, hm?”

You agree feverently, nodding your head repeatedly with a moan. “These weeks were too long huh?” He droned on, talking you through it. “Even our facetime the other night wasn’t enough?”

Thoughts of your facetime the other night surface back quickly as his hips pound into you. How you both were so needy. How he was able to make you come on your fingers just by the sound of his voice. How he commanded your body even from thousands of miles away. Yes, that’s it. Cum all over your fingers like the good girl you are.

He felt your walls clench down on him so tightly, he groaned. “The thought of fingering yourself gets you that hot and bothered?” Another harsh slap to your butt.

You begin to cry out almost pathetically, your fingers gripping onto the sheets tightly. You turn your head, Charles hands sliding from the back of your hair to your neck, still weighing you down.

“S’il te plait,” Please. You’re begging. 

“Wish I could bring you – Mon dieu – wish I could bring you with me wherever I go,” his heavy breaths were heard in between each word, as if he was struggling to keep any self-control he had left.

“But I can’t,” his voice sounds angry again. “Wouldn’t be able to leave you, can’t look at you without wanting to fuck you stupid,” He won’t shut up. Like he opened a door and can’t close it shut now. “Tu me rends fou,” Drive me crazy.

Your heart is clenching at his words. His words creating a mass of butterflies in your stomach. You can tell by the shutter of his last words that he’s close.

“Allons-y, ma cherie,” Let’s go. “That’s it,” he groans loudly as you clench around him, releasing all over him. He’s quick to pull out, releasing himself all over your backside, smearing it with the tip of his cock into you. 

He rolled over to the side of you, his chest rising and falling with each deep breath he took. The silence of the apartment was loud but comfortable as you both caught your breath.

“I don’t think I can do casual with you but I’ll try,” he mutters softly, one of his hands brushing your hair out of your face so you can truly look at him. His cheeks were rosy, the crinkles in his eyes from smiling apparent, and his hair so disheveled it made you clench your thighs together.

You roll onto your side, your hand gracing his cheek as you turn his head to look at you. “Me either,” you admit. Because truly, he was all that was ever on your mind. You didn’t want to have one foot in the door, one foot out. You wanted to be all in with him.

“Let’s just see where this goes, yeah?” He smiles, pulling you up onto his chest, wrapping his arms tightly around as your head dug into the crook of his neck. You placed gentle kisses to his neck, his Adam’s apple bobbing noticeably. 

You feel his length harden from underneath you again. To which, you lift your head to see him with a smirk fully spread on his lips. You furrow your eyebrows as if to say ‘really?’.

To which he responds, “Je t’ai dit.” I told you. “Tu me rends fou.” You drive me crazy.

[feverdreamjohnny]

"Why There Will Never Be a Peeb Adventures" otherwise known as "The Peeb Adventures Pre-Mortem"

Since 2020, I've made a good chunk of games. Hell, even though I've been doing this for 10 years to date, the majority of my progress as a creative began over the course of this 4 year period.

Out of all the games I've made - or otherwise had a hand in - there is only one that's apparently struck a chord so deeply with people that to this day I still get messages and comments asking when it will come out.

The title of this post already explains the whole deal so I'm not gonna be dramatic about it right here. As per usual, I will instead get heart-clutchingly dramatic about the subject by the end of this story.

I felt the idea of a "Pre-Mortem" might be a fun way to talk about games that will never be finished. Maybe I'll make more of these down the line for other old games, who knows.

"The Incredibly True Origins of Peeb Adventures" or "Wow! I Hate It!"

Peeb Adventures began as a gift game for my long-time friend Aaron. It was simple, mostly functioning as a fun little gag that stemmed from a 3D model I made of a character he doodled during a drawpile session. I gave Peeb a grapple hook just because I wanted to experiment with swinging mechanics and felt the gag gift was a great space to toy around in without having to actually ask myself how on earth I'd want to structure a game around a grappling hook. Foreshadowing!

Eventually, the gag gift did that classic thing all developers have experienced before where your game spirals out of control and grows into a hideous monster, and what started as a fairly abstract grappling toy convergently evolved into that dreaded state we call a "3D Mascot Platformer."

I made a very short demo in the summer of 2020. It went absolutely nowhere, and after an idol of mine caught wind and asked to play it (before sending about 3 paragraphs of feedback suggesting how to improve what was, in my view, a trainwreck of baby blocks stacked on top of eachother), I shelved the project.

"The Absolutely Tremendulous HPS1 Adventure of Peeb" or "My Friend Jam Suggested I Revive the Project and So I Did"

Shortly after Peeb was shelved for the first time, I joined a community of game developers called Haunted PS1. For those not in the know, HPS1 was essentially the nexus point for "retro horror games" in the indie sphere, and a lot of the resulting deluge (non-perjorative) on itch.io can find its roots in this community.

HPS1 was a good place. Lots of nice, talented people willing to tolerate the kind of mindless riffing I often do in voice calls, anyway. I made a decent chunk of friends there, some of which I'm still quite close to, even today.

HPS1 has this tradition called the HPS1 Demo Disc that began in 2020, and with the year coming to its end, there was talk of a new one set to arrive in spring 2021.

Unlike the first demodisc, however, 2021's disc required you to submit a game in-progress to a panel of judges. They'd then give their yay-or-nay, and you were either in or out.

One day, I was musing over the fact that I didn't really have anything to submit so I would likely have to sit out of 2021's disc. My friend, Jam, who you might know as the developer of the Heilwald Loophole (or Beton Brutal) suggested I consider reviving Peeb Adventures as my submission to the demo disc.

Why did I follow through on this? I don't know. It's funny to think a scenario this simple was the launch point for my career.

Over the next 6 months, I worked on turning the absolutely horrendous gag game into... Something still kinda trite but at least playable. I had some help from my longtime teammate drurylain, my longtime friend Aaron (the creator of Peeb's original design), and my longtime spiritual uncle Tim, and with our powers combined... A new kind of demo experience where you don't do anything of particular note besides swinging around was born.

Also quite important: the very same drawpile session that spawned Peeb also spawned Orbo, who would also make his own appearance in Peeb Adventures as a recurring side character (since I felt like Peeb needed a friend).

"Go! Incredible Friendship Unites in the Gameosphere! Peeb and Orbo are Born!" or "Peeb Adventures: Coming Never"

So the demo for Peeb Adventures was finished early March 2021, and the demo disc went live on itch.io on the 25th of the month.

The demo disc then proceeded to do a backflip and pick up a LOT of traction online. Which then meant Peeb itself was catching little bits of the traction in its mouth and smacking its lips.

I went from "guy who makes games for nobody" to "guy who makes games for that one very specific brand of teen on twitter who loves the object head show", and I was riding high.

Fanart poured in. People showed a lot of love. I was dazzled by it all, really.

Despite the love for the game and the potential on hand, progress was stagnant. My group of friends and I all got together in a google doc and wrote an entire planning bible for the game. Game mechanics, story beats, twists and turns, the whole thing. Despite having the structure lined up, I had other ambitions and began working on a multiplayer deathmatch game that quickly overtook my work schedule.

Peeb sat on the backburner, but at the time I still wanted to finish it one day. My main excuse was "well, I just need more money! If I'm going to work on this game it's gonna need more than one fulltime person and I can't just ask people to work for free!" That excuse worked on me for a while.

"I Don't Think I Want to Play With You Anymore Peeb!" or "There's Such a Thing as Too Much Love"

A while had passed at this point. My ambitions hadn't just grown, they'd completely shifted. Before long, I found myself working on yet another demo for the 2022 HPS1 Demo Disc, "The Spectral Mall."

Nowhere, MI wasn't just some random toy for me, but the culmination of all my love into one game. Despite its silly demeanor, the game was a product of a lot of pain, and even now I still desperately want to finish it. Except I have to make money to live, so... Oops!

Anyhow, there was a shift in demeanor for me during 2022. You have Peeb, a game that I made on a whim as kind of a joke with friends, and you have Nowhere, MI, a game that meant the world to me during really dark times.

And you know what? There were a lot of people that wanted Peeb. People that never stopped asking me about it.

I realized while working on Nowhere that I didn't really know what I would even do if I ever had the chance to work on the full Peeb Adventures. Not only did I find the nagging kind of annoying, Peeb was also something I couldn't really... Wrap my head around?

It occurred to me that Peeb wasn't really "my" game anymore, it was "his" game. The old Johnny.

I'd changed a lot since the game had come out in early 2021. In a year and a half my world got flipped upside down, and... I don't know, Nowhere was way more reflective of who I was now. Sure the humor was still pretty asinine, but there was a shift. It was hard to picture the "Peeb Adventures" people were actually looking forward to when my own sensibilities had drifted so far.

When the Nowhere demo came out along with Spectral Mall, it did... Alright? People liked it, but it wasn't the same as Peeb's release. Hell, even in Nowhere's release there were people pushing it aside to ask the same question they'd been asking every week leading up to it. "When is Peeb Adventures coming out?"

"Goodbye Peeb!"

It was increasingly harder and harder to not look back at Peeb and kind of hate it. It was rough in every respect, and yet it whenever I met people who'd heard of me online, they always cited Peeb Adventures.

Strangers continue to ask me when it's coming out. On rare occasion I'll get someone asking about Nowhere and I'll feel a bit excited anyone else cares about that game besides me and maybe my friends, but most of the time people just ask about Peeb.

To finally answer this question I've been asked for nearly 4 years: There will probably never be a Peeb Adventures.

"Goodbye Johnny."

I like to believe one of the reasons people are attracted to my body of work is because I make games to reach out to other people. That's probably not the real reason, but it's nice to play pretend and imagine your work has more significance than just "ha ha boner."

I put a lot of myself in my games and I rarely hold back, even if an idea is insanely stupid or strange. The result usually becomes something more like a scrapbook than a game.

It's hard to try and expand on a game like Peeb when the Johnny who made it isn't really with us anymore. If I worked on Peeb now, you'd get some kind of irregular frankenstein that'd never be as exciting as the original vision was.

By the time I get around to Nowhere again, am I still going to be this Johnny? Or will the next Johnny look back at Nowhere the same way I look at Peeb now? Who knows.

Anyway, look forward to more games from me and my friends. Even if it's not Peeb Adventures, it'll still be us.

[odinsblog]

“I'm observing such a huge gap between different social groups that I didn't even realize were different. I, you know, most of my friends are in the media. A lot of my journalist friends are just much better informed.

A lot of them have had experience reporting in Israel, Palestine, and are quite critical of both Israel and the antisemitism narrative. Then, like, my wife is a lawyer, and her circle is a little bit different, right? It's not dominated by media people, like people in the law or in other professions seem to be broadly much more kind of taken by the sense of profound insecurity and shift in the American Jewish experience.

I think we sort of see different things, for example, when we watch the hearings in Congress on antisemitism on campus.

The university presidents, of which there have now been two hearings, one with three presidents, one with the president of Colombia, and there will be many, many more. And what I see is a right-wing campaign against higher education that is weaponizing antisemitism as an idea, right? Not antisemitism as a practice.

And what they see is, with the possible exception of the president of Colombia, is people who represent institutions or lead institutions that they feel an affinity with, often institutions that they graduated from, who are not standing up for them. Which I find that viewing of those hearings somewhat shocking because people seem to be turning off their critical faculties. But people, intelligent, educated, politically astute people don't turn off their critical faculties unless they're scared.

So I think the underlying fear is real. But just because it's real, it doesn't mean it's justified.

I think a factual account of what we're seeing on campuses now is that this generation of Americans is far more critical of Israel than their parents' generation. And this is true of both Jews and non-Jews. I think that they look at information available to them and they see a 57-year brutal illegal occupation.

And they don't understand how it's possible that their parents and the politicians that their parents support and the politicians who come and give commencement addresses and all that other stuff that I can say about politicians, how it is possible that these people support that state? I think that is an entirely understandable view. It also reflects a huge generation gap.

I think some of those young people are assholes, and some of them are antisemites. I think it's a small minority of the protesters, and it is not actually part of the critique. The protesters' demands, the protesters' organizing beliefs are not in any way or shape antisemitic.

And then there are Jewish students who were brought up Zionist, who were brought up to identify strongly with the state of Israel, who are, I think, a little bit like my cousin in the settlements again. They see these protests, and even probably the participation of their fellow Jewish students in these protests, as threatening their core identity, as threatening their ties to their families, as threatening everything that they were taught for the first 18 years of their lives is true. And of course they feel rattled, of course they feel unsettled, of course they feel threatened.

Like, wouldn't you, if you felt that everything you had believed in was being turned on its head, and if you, by apparently reasonable people? And so you have a couple of options. One is to look at what the protestors are saying, to engage with the facts, to engage with the critique of everything you've ever believed.

There was a terrific, George Curran's podcast a couple of weeks ago with three Columbia students, one of whom sort of narrated that kind of trajectory, getting to university and finding this stuff out and having their mind blown. That's a very difficult path, and it's a very difficult path, especially if you are, say, a first year student in 23, 24.

And then there's the easier path of staying integrated in your community, in your beliefs, and saying this is antisemitic.

Because unfortunately the things that the protestors are talking about are so horrible that you can't say, okay, let's agree to disagree, that you can't hold both of these things in your mind at the same time.

You can't continue to hold your family's uncritical, long-standing support of Israel, and an understanding of what is happening in Gaza and the occupation that has preceded the war in Gaza.

So yeah, of course they feel rattled. That doesn't mean that they're being surrounded by antisemitism.”

—Masha Gessen, the descendant of Holocaust survivors, discusses campus protests (part 3 of 3)

[bloodbenderz]

there was a lot of mistakes made in the live action but the worst one without reservation was that the creators did not understand patriarchy and they did not understand women's liberation outside of an american context ( or any context if we're being honest )

it's easy to see on a surface level how that fucked up katara's whole character how she wasn't allowed to have her character defining moments how she wasn't allowed to be angry or even excited or impulsive but i think it doesn't really become clear how deeply wrong the show's conception of gender & patriarchy is (and the implications for the political landscape of the show) until you get into how they destroyed sokka's character too

sokka's whole Complex is born of patriarchy. i'm not trying to do men's rights advocacy here but in my experience when a people is under constant threat, constant assault, constant violence (much of which is gendered) and the traditional "protectors" or "providers" of that people are men, the masculine role becomes protecting women and children. i am not saying this is a good thing or a bad thing but it is true the narrative of violent resistance is overwhelmingly about men. to be a man in a time & place like this means fighting to protect your women, & to die for them is honorable. that is where sokka gets this idea that he has to be a warrior & he has to fight & if necessary die for katara & the rest of the tribe. it's about duty. everyone has a part to play, a role to fill

everyone including women! which is the other half of this. the duty of women is to keep up the home, to maintain a country worth fighting & dying for, to raise children so that the community can have a future. it becomes especially obvious in the context of the show when you see how the nwt lives & in specific how yue lives and dies.

many women participate in patriarchy. many colonized women participate in patriarchy. most of my family comes from or still lives in a country completely devastated by colonialism & its aftereffects & many women in my family believe wholeheartedly in the idea that everyone in the house has a role to play. it's not because these women are stupid or they hate themselves. but when you grow up believing that men & women are fundamentally different, and seeing that women are in specific danger because of their gender, it actually makes a lot of sense to expect the men in your family to protect you, and to raise your sons that way.

in practice that means that men aren't really expected to do anything around the house, especially when there's no actual danger. my aunt literally 2 days ago told me this lol like she doesn't make her sons do anything bc she wants to let their lives be easy before they have to go out into the world & take care of their wives & children.

what does women's liberation look like when an entire community is under threat? colonized women have been dealing with this question as long as colonialism has existed. the writers of this show don't even pretend to understand the question, much less to formulate a thoughtful response to it. they just say oh, well, katara, yue, & suki are all the exact same type of liberated girlboss for whom patriarchy is no significant obstacle.

which brings us back to sokka lol. sokka, at the beginning of the show, has completely subscribed to patriarchy, has integrated it into his sense of self. he has a lot of flaws, but he also has a lot of really good traits. his bravery, sense of honor, loyalty, work ethic, selflessness, all of this came from him striving to be a good man. he would die to protect katara, because she's his sister. he also has her wash his socks & mend his clothes, because she's his sister. even after he meets suki, humbles himself, & expands his view of the role a woman can play, he doesn't completely disengage from patriarchy. at the end of the day he believes in his soul that a good man's duty is to fight & if necessary die for his people, & that's exactly his plan. this is a very real psychic burden. pre-aang, it's also largely fictional & completely ridiculous. we're SUPPOSED to think it's ridiculous. he's spending his time training babies & working on his little watchtower. the swt hasn't been attacked since their mother was killed because it has been completely stripped of all value or danger it once held for the fire nation, & everybody knows this. there is very little "men's work" left, aside from hunting & fishing, which is so damaging to sokka's self image he resorts to toddler bootcamp to feel useful. the contradiction here is comical. it's also completely devastating. that's supposed to be the fucking POINTTTT like colonialism & patriarchy convinces this young boy he needs to be a soldier & die for his family. & you know what he does? He acts like a young boy about it. they didn't just leave this unexplored in the remake they completely changed the circumstances to 1. make sokka incompetent for some reason 2. make his "preparations" seem less ridiculous. Which ruins the whole character. Possibly the whole show.

all this makes the writing of katara & the other women infinitely more offensive to me. katara is a good character because she believes in revolution. she wants to liberate her people from imperialism, & she wants to liberate women from colonial gendered violence, traditional patriarchy in her own culture, & the complicated ways those things interact. it is LITERALLY the first thing you're supposed to learn about her. she's the PERFECT vehicle to address the question of women's liberation under colonialism. one of the things i was most looking forward to seeing in this show was how labor is distributed in a place where almost everything that needs to get done is "women's work" & how it affects katara & sokka's day to day relationship when their lives weren't at risk constantly. what actually are her responsibilities every day, & how do they compare to sokka's? how does her grandmother enforce these traditions with katara & sokka, & how is that informed by her own experiences in the nwt? what does patriarchy look like in a tribe made up of mostly women & children? it's so important to who katara is & what she believes! but why bother exploring any of that when u could instead make her a shein model who has nothing in common with the source material except her hairstyle lol.

yue is actually even worse to me bc yue is supposed to be sokka's counterpart. she's supposed to show you how destructive it is for women specifically to internalize this gendered duty so completely. it sucks for sokka, but he is a man & thus his prescribed role gives him some agency. yue's role affords her no agency whatsoever, & this is the POINT. to make her someone who's allowed to break things off with her fiance if she likes, who sneaks off to do what she wants when she's feeling stressed, whose will is respected as a monarch, like what is even the point of yue anymore? in the original the whole reason she was even allowed to spend time with sokka was because her father knew she was with a trustworthy boy. her story completely loses all significance when the dimension of patriarchy is removed from it. the crux of her whole story is that she is not just a princess but the literal & spiritual representation of the motherland. that's what women are supposed to represent during wartime, at the cost of their own sense of self. in order to fulfill her duty to her people she gives her life to them in every single way that matters.

it's just so unbelievably frustrating (and WRONG) that the only types of characters for these writers are "soulless misogynistic fuck" and "liberated american-style feminist." there's no nuance at all! they don't bother exploring how real love manifests in patriarchal communities, & how patriarchy defines the limits of that love. or how for so many of these people their idea of goodness, morality, & honor is gendered. or how imperialism affects not just individuals but entire cultures & their conceptions of gender. but why do any actual work when you could completely change sokka & katara's general demeanors, their entire personalities, & their roles in the tribe so you can dodge any & all nuance

Anyways. in conclusion. it was bad

[nadas-dirthalen]

I know it's been talked about to death already, but I want to talk about this response from John Epler in yesterday's AMA.

Why? Because this reminds me of the Inquisitor.

All through Inquisition, Solas creates this fantastic mirror for the Inquisitor, but one of my favourite parts of his storyline is that he also creates a parallel for us, the player. BioWare does something incredibly interesting with Solas as a mirror into our own psychology as players, and this is best exemplified in the quest 'In Hushed Whispers.'

IHW has us jump one year forward in time for a glimpse into a dark future. We, as players, have seen this in other media before. We, as players, know that we are 99% likely going to find a way out of the leap forward in time. The Inquisitor does not have these experiences. We, therefore, as players, treat this alternate future with an emotional distance: it's not real, according to us, when it is very real for the Inquisitor (even with Dorian's assurances).

This is a fantastic lens into Solas' psyche. The Inquisitor cannot imagine being ten thousand years old better than you or I can, nor can you or I imagine seeing our fellow humans as not real. But by letting us, the player, understand that an alternate future is fake and it'll all be over soon, we get a glimpse into Solas' worldview. The parellel, therefore, hits home even stronger: Solas does not feel, in that moment, like the Inquisitor does. He feels how we feel.

Why do I bring this up? Because this response explaining Solas' motives reminds me of how we, the players, view the disbanding of the Inquisition.

I have seen people incensed about how apparently the above post means Solas "doesn't care" about the elven people. That was never true. Solas does care about the elven people, at large. In The Missing comic and in DA:tV, he's seen freeing slaves and then deliberately not recruiting them. That never stopped being a thing.

But he, like us, does not take his individual agents' motives and situations into account when making large-scale choices.

At the end of Trespasser, when all of us were asked to choose between disbanding the Inquisition or handing its power to the Chantry, I would wager that no one spent hours and hours hung up on the future of Skyhold's cooks. But why? Those people gain their employment through the Inquisition. What about their families? What about what their goals are?

As players? We don't care. Those people, to us, aren't real. They're not fleshed-out characters in the same way as our companions. While we care about the large-scale welfare of Thedas, and I'm sure all of us have our favourite factions, we just don't care about every single one of the thousands of people in those factions. We don't even see most of them.

Just like Solas.

Solas appreciates good deeds. Solas even spends time helping the people he sees face-to-face. Solas has strong feelings about the freedom of the elven/elvhen people. But does he decide his course of action based on the wants of his every agent? No. Neither do we, as players, and that is who Solas mirrors most strongly in this particular respect.

So just like us, Solas considers the bigger picture. Let his agents go home. They've done all they need to do. Let them go be with their families, just like he tells the Inquisitor at the end of Trespasser, even if those agents are really SUPER loyal and really REALLY want to stay (just like some Inquisitors at the end of Trespasser).

He disbands his organization, just like we, the player, disband our organization (some of us, anyway). He "lays down his sword," just like Mother Giselle talks about, just like she insists we do for the Inquisitor.

So in my opinion, John Epler was not wrong to say this. This, to me, is all true of Solas. Every word. Just like the Inquisitor was (in most cases) a capable leader who was able to raise a strong faction in dire circumstances, so is Solas. But just like how many Inquisitors, despite being good and noble and righteous leaders, chose to disband the Inquisition the moment its forces were no longer needed (and in fact posed a risk)... so does Solas.

Solas is an amazing, complex character. I don't think that is any less true now than it was a week ago, a year ago, or ten years ago.

He is a gift to us, as players - one that I am still thankful to all of BioWare's writers for helping bring to life, as well as the entire world of Thedas.

[crabsnpersimmons]

This one goes out to all the slow burn enjoyers, the dense Y/Ns, and the soft robo jesters that suffer in silence!

Inspired by @bamsara's “Solar Lunacy” fic.

If you feel like reading my ramblings and want to experience more heartbreak for fictional jester blorbos, check under the cut where I detail all the planning behind the frames!

so i heard this song for the first time in a while and the opening lyrics immediately made me think of moon, so i was daydreaming some scenes and then i decided to thumbnail some ideas:

and it all went downhill from there as everything became a metaphor and a parallel to each other, which i will now go into detail on!

you thought the animatic itself was sad?

*writing muse laughs maniacally* IT'S ALL A METAPHOR

Frame 1. "turn down the lights" We start with a back view on Moon. The lights are out, the Moon is out, but we do not see his face. The music and the greyscale atmosphere are enough to establish the weight of the moment and the weight on Moon’s mind.

Frame 2. "turn down the bed" We cut to a shot of Moon's body, kneeling on the ground of the daycare, like a padded cell. Moon’s hands are twitching with the effects of the glitch, with purple sparks coming from his hands. We still do not see his face.

Frame 3. "turn down these voices inside my head" Cut to an extreme close up on the dark half of Moon’s face. Now we see his face, but only a portion of it. His left eye is wide open, red and glitching out. The voices in his head can refer to the glitch but also his repressed feelings. Or maybe it could be Sun's voice in their shared headspace.

Frame 4. "lay down with me" Y/N's hand enters the frame from the upper right corner, lowering down to meet Moon where he kneels on the ground. Only a corner of Moon's face appears on the bottom left corner of the frame, his starry nightcap beginning to cover his glitched left eye.

Frame 5. "tell me no lies" An full shot of Moon on the floor and Y/N standing in front of him with their hand stretched towards him. A light spills out from behind Y/N, creating a boundary between them.

Now we see more of Moon. It is only when Y/N enters the frame—enters his world—that Moon’s body is shown in its entirely. When Y/N is here, he is no longer fragmented. He is whole.

Frame 6. "just hold me close" pspspspsps Playfully, Moon extends his own hand, beckoning Y/N to come closer, to join him. His right hand crossed over his body as he uses the playful gesture to hide his true feelings—to put distance between him and Y/N. His hat continues to cover his glitching left eye. He doesn’t want to worry Y/N.

Frame 7. "don't patronize" In response, Y/N’s hand pats Moon on the head, returning his playfulness. Moon looks surprised by the action. Moon, notably, does not lower his hand—perhaps he has forgotten it or perhaps his invitation is still open.

Frames 8-9. "don't patronize me" Moon rotates his faceplate so Y/N’s hand is touching the side of his faceplate, a more intimate gesture than a head pat. However, his hat is in the way. At this angle, his starry nightcap fully covers his glitchy eye and the dark side of his face, hiding his defect and acting as a veil between him and Y/N. A self-imposed boundary. So close, yet thinly separated. It's better this way. It's safer this way.

The lyrics are broken up by Y/N's arm, both to illustrate how the song is sung ("patronize" is drawn out and "me" is briefly added in before the chorus starts) but also to show how Y/N interrupts Moon's resolve, highlighting the irony between the visuals and the lyrics. Demanding not to be patronized, yet Moon happily accepts this play at intimacy. Don't patronize me, I am weak for it.

This is also the only instance where the red light of Moon's eyes glow and tint the surfaces around it. Visually, it makes it look like Moon is blushing (heavily inspired by @restinsodaroni's art). But also, in this moment of honesty, Moon's intrinsic light spills out, colouring the greyscale world. In this brief moment of honesty, Moon touches the world with his own colours, his own light.

(and this is also where i forgot to clean up the shading on Y/N's arm, but it's okay it doesn't need to be perfect it simply needs to be. And Moon will still love Y/N even if they are a continuity error.)

Frame 10. "'cause I can't make you love me if you don't" A parallel to a frame 4, Y/N retrieves their hand away and immediately Moon is reduced to the corner of his faceplate in the frame. Only now his glitched eye is fully covered by his hat.

The lyrics here (and in the next frame) in particular grow lighter to emphasize Moon's diminishing resolve and agency.

From here on out, the lyrics here are broken up, carrying on this theme of fragmentation. Y/N is pulling away, Moon is breaking up, the words are breaking up. Everything is coming apart.

Frame 11. "you can't make your heart feel something it won't" Y/N turns to leave. The lyrics, broken up as before, highlight the irony of the situation. Y/N, a human, can’t feel something they simply don’t feel. Whereas, Moon, the machine, feels something his code never intended him to feel.

Frame 12. "here in the dark in these final hours" Another full shot that parallels frame 5, as Y/N steps towards the light and Moon leans forward into the space Y/N once occupied. Y/N is leaving—that which makes him whole is leaving. And he is only capable of making it to the boundary where the light cuts into the darkness. The "final hours" suggest it might be the end of Y/N’s shift, or perhaps this scene takes place right before the glitch takes over—the final hours that Y/N has with the true Moon. Either way, time is running out—and only Moon knows it.

There is a contrasting display of body language here. Moon is on the floor leaning towards Y/N with his hand still left out. Whereas Y/N is turned away, walking away, and has already slipped their hand away and into their pocket. Y/N is closed off while Moon is limply open. Y/N is actively moving while Moon is on the floor, waiting, hoping, for that which he lacks the agency to reach for himself.

Frame 13. "I will lay down my heart" A close up on Moon’s hand, rising up again, perhaps to beckon Y/N back once more. This is a slight parallel to Y/N's hand reaching out to Moon. While Y/N can freely reach out and touch Moon, Moon cannot. He can't enter the light and more importantly he can't risk potentially harming his relationship with Y/N—be it through the glitch or by his feelings. He can only lay down his heart—put aside his feelings or hope that someone will pick up his pieces and make him whole.

Frame 14. "and I'll feel the power" Still on a close up on Moon’s hand, now clenched in slightly. This initially was going to have the glitch effects. However, I felt it more meaningful for it to be left without. Leave it up for interpretation why Moon pauses his hand. What is the power that he alone feels and stays his hand?

Frame 15. "but you won't, no, you won't" A parallel to frame 1, a view of on Moon's back with his hand stretched out towards the light, and Y/N walking into the light spilling through the open daycare door.

The placement of the lyrics suggest two different “you won’t”—Y/N who won’t realize Moon’s feelings, and Moon who won’t dare speak them into reality.

Another note on the parallel to frame 1, this time we also see Y/N's back, but it is notably different from our view of Moon's back. With Moon, we literally see inside him through the hole for his loop. However, Y/N is shrouded in shadow, just a solid, obscure silhouette against the bright light of a world Moon—and Sun for that matter—are closed off from. We don’t see into Y/N, just as the Daycare Attendant doesn't have any vantage point of Y/N's life beyond their time at the PizzaPlex. (The unfortunate reality of a being a character made for the purpose of being a vessel for the reader.)

Frame 16. "'cause I can't make you love me" We finally cut to face Moon head-on, frozen in place with his hand stretched out, unable to cross the boundary into the light. His eyes have gone dark. Where we began by seeing bits and parts of Moon, and never seeing his full face—now we, the viewer, see the full Moon, open and vulnerable—unbeknownst to Y/N.

Frame 17. "if you don't" But in the dark, behind closed doors, there is no one to perceive him—no one to receive him. The light dwindles as the daycare doors are closed. Moon stays frozen where he kneels. It is no longer the glitch that plagues him, but a far deeper dread.

But a lone streak of light peaks through the gap in the daycare doors. Perhaps that is just enough. A silver lining. A frail hope. A single, ethereal thread out of darkness and into light.

Thanks for reading and watching!

We'll be back to our regularly scheduled fun and games shortly!

[cy-cyborg]

Disability Tropes: The disabling change of heart

When a character in a story becomes disabled, they'll sometimes experience a trope that I like to call "the disabling change of heart". This is when the character goes through a massive change in their outlook, their personality, their goals or even roll in the story, specifically because they became (or are about to become) physically disabled. Sometimes, this will be in relatively small ways: the happy-go-lucky comedic relief character might become bitter, angry and jaded after getting into an accident that caused a spinal injury, or the severally depressed and nihilistic character might suddenly start acting more cheerful and hopeful, stating that loosing their leg has "put things into perspective and showed them what really matters". In other cases though, the impact is much larger, the heroic character you've been hearing about looses an arm thanks to the main character's actions, causing them to become consumed with anger and self-loathing which they take out on everyone else, eventually becoming an antagonist as they seek revenge for what the main character did to them. The morally grey or even villainous character is injured by their own scheme, giving themselves a permanent disability in the process, which prompts a change of heart and leads them to turn their lives around and become better people, maybe even deciding to team up with the heroes.

Now, having a character go through a personality and goal change due to a major life event, such as becoming physically disabled, isn't inherently bad. A lot of writers are told to tie major shifts in your character's development to major life events, because realistically, something like becoming newly disabled will at least impact how you view the world around you. I very frequently talk about how if I didn't loose my legs, I would have become a vastly different person, but the issues with this trope depends on how it's used and the reasons behind these developments, and whether or not the change suits the character in question.

Before we get into things, I would like to specify that in this post, I'm only going to be talking about how this trope is used with physical disabilities and other easily visible forms of disability. It does show up with characters who develop disabilities under the mentally ill and neurodivergent umbrellas, and is actually a bit more common than what I'm talking about today, but the specific ways its utilised are so different that it's more or less a separate trope, and one that deserves much more attention than I could give it here as this is already going to be a pretty long post. So for today, I'm keeping to it's use with physical and visible disabilities, and we'll talk about how this trope is used with neurodivergence and mental illness another day.

The main thing you need to be mindful of is ensuring that you, as an author, are not including your ingrained biases about disability into the reasoning behind the change. Let's look at one of the examples from before, an evil character who, after loosing their arm (because it's almost always loosing an arm for some reason) becomes a villain and wants revenge against the main character. In a story like this example, the character who became an amputee often views this new disability as something that has ruined their life. It's something that has caused them to suffer, and they want to make the main character (or whoever has "wronged" them) suffer like they did. Stories like this example portray disability as something that is not just horrible, but life-destroying, especially with villains who become all-consumed by the misery this disability has brought them. Many stories that utilise this version of the trope also often perpetuate the idea that if you become disabled, you'll have to give up all the things you love and your goals, even when this wouldn't necessarily be true for the character in question.

Let's say your character was a knight, and the main character cut off their arm in a training accident. obviously you can't be a knight with only one arm because you can't fight anymore, so they left their order. Now this character has become a villain and has found power that "makes up" for their disability, perhaps magic or some other force that doesn't exist in the real world, and are back to get revenge on the character for ruining their lives. Here's the thing though, the loss of a limb, or at least, the loss of an arm specifically, often isn't the career ender people think it is, even back then. In fact, there are many historical records of real amputees continuing to serve as knights and other similar military roles after loosing an arm or at the very least, continuing to fight in other ways. One such example was Götz of the Iron Hand, a mercenary knight who lost his arm to a cannon. Götz had fought as part of the Roman empire's military in 1498, but shortly after left to form his own mercenary company. He lost his hand in 1504 and continued his career as a mercenary with the help of an iron prosthetic capable of holding his sword and the reigns of his horse, among many other things such as writing, for another 40 years. Götz wasn't unique in this though, several suits of armour from the same time period have been found with integrated prosthetic hands, though the names of their owners are unknown. There was also Oruç Reis (aka Aruj Barbarossa), A privateer admiral who served the Ottoman Empire in and around the Mediterranean who lost his left hand - earning him one of many nicknames: Silver-Hand, thanks to the colour of his prosthetic. Oruç, like Götz, continued his career for several more years until he was eventually killed in 1518.

My point in bringing this up, is to highlight how important it is to double check that the reason your character's whole motivation for turning to villainy, isn't just based on your ideas about what a disabled person can or can not do. Actually double check it, research it, especially if it's important for your plot.

Even in the cases where the disability in question actually would stop someone from being able to do something, the incorrect assumptions can still occur and cause issues in different ways. For example, a character in a more modern setting who looses their arm due to an accident the main character was responsible for while serving in the military would be discharged, ruining the character's plan to become a general some day. This absolutely would be devastating for a character like that, and they realistically could struggle to adjust, both in terms of getting used to their disability and finding new goals for their life. They may well feel anger at the main character, however, if you are portraying just living with a disability, in the case of this example, living with an amputation as inherently "suffering" for no other reason than they are disabled, it is still perpetuating those really negative ideas about disability. I've said this a few times in other posts, but villains who are evil or even just antagonists purely because they're disabled or are trying to avoid becoming disabled is a trope all its own and one that is best avoided if you yourself aren't disabled, as even outside of spreading these negative ideas about life with a disability, it's just an overdone and overused trope.

But what about when this trope goes in the other direction? when you have an antagonistic or even just morally grey character who becomes disabled and this is the catalyst that turns them into a good guy?

For the longest time, I knew I usually disliked this version of the trope too, but I couldn't put my finger on why. With disability being the reason someone became a villain, the underlying reason it's there is often able to be boiled down to "I, the writer, think being disabled would be terrible and life like that is inherently suffering, so this character is angry about it," which is obviously an issue (the "inherently suffering" bit, not the anger). However, when a character becomes good due to becoming disabled, the reasoning is usually more along the lines of, "this is a big change in a character's life that has caused them to reconsider and revaluate things" (or at least, that's what I thought). This isn't bad, nor is it necessarily unrealistic. Hell, as I already said, I do consider my disability to be a catalyst that made me into who I am today. I also know plenty of people who, after becoming disabled later in life, did have a big change in how they viewed themselves and the world, and who consider themselves better people since becoming disabled. It's far, far from a universal experience, mind you, but it does happen. So why did this version of the trope still not sit right with me?

Well, I think there's a few reasons for it. The first being that there's a tendency for non-disabled people to think real disabled people are just incapable of evil deeds, both in the sense that they aren't physically capable of doing them (which is bad and not even always true for the reasons we already discussed), but also in the sense that there's this idea that disabled people are, for some reason, inherently more "good" and "innocent" - As if breaking your back or loosing a limb causes all evil and impure thoughts to be purged from the body. This is a result of many folks viewing disabled people as child-like, and thus attributing child-like traits (such as innocence) to them, even subconsciously. This is an incredibly common issue and something disability rights organisations are constantly pushing back against, as this mentality can cause a lot of unnecessary barriers for us. With how often I and many other disabled people are subjected to infantilization, I would be honestly shocked if it wasn't at least partially responsible for people thinking becoming disabled is a good reason to kick off a redemption arc.

This infantilization isn't unique to physically disabled people by the way, in fact it's way, way, more commonly directed at people with intellectual and developmental disabilities - or at least, people are more open about it, but as I already mentioned, how that is reflected in tropes like The Disabling Change of Heart is vastly different and deserves a post of it's own.

That's mostly just speculation on my part though, since that infantilising mindset does show up a lot in media, but not usually as part of this trope specifically.

However, it's not the only reason I wasn't a fan of it. When the disabling change of heart is used to fuel redemption arcs, I think, once again, that the disability itself being credited with causing the change directly is another factor. When this happens, it's usually because "it put things into perspective for me and showed me what really mattered."

This sounds better than our previous example on the surface, but stories that use this logic are often still portraying disability as an inherently bad and tragic thing, something so bad, in fact, that it makes all the other (legitimate) issues they thought were massive before seem so small by comparison. This is a type of inspiration porn: content made to make non-disabled people feel inspired or just better about their own situation. It's the mentality of "well my life is bad, but it could be worse, at least I'm not disabled like that!"

In a fictional story, this might look like an athlete character who dreamed of making it big so they could be famous and get out of poverty. They were a dick to anyone who got in their way but only because they were worried about not being able to make rent if they don't constantly win. One day though, they overworked themselves and got into a car accident on the way home because they were too tired, and now they're in a wheelchair and can no longer walk, which is (supposedly) absolutely tragic and way worse than anything else they were already going through. But they end up becoming a better person because it has put things into perspective for them. Yeah they were struggling to make ends meet, but at least they weren't disabled! Now that they are, they know they shouldn't have cared so much, because money doesn't matter when compared to not being able to walk, right?

As well as portraying disability in a negative light, these kinds of stories dismiss and diminish the other struggles or challenges the character is experiencing, placing the status of "not disabled" above all else.

There's also the fact that, when a lot of real people say their disabilities had positive impacts on their lives, they don't usually mean the disability itself is directly responsible for the change. There's exceptions of course but for myself personally, and most of the people I know who say they are better people because of/since becoming disabled, the disability has been more of a neutral catalyst than the actual cause of positive change. Meaning, it opened the door to allow those changes to happen, but it wasn't the direct cause. For me personally, becoming physically disabled at a young age didn't make me a nice person like people expect, I was still a little judgemental asshole for a lot of my childhood. However, because I was disabled, I had to travel a lot, initially because I needed medical treatment that my local hospital wasn't equip to provide, and later, because I started competing in disability sports. because of both of those things, I met people I never would have otherwise who made me reconsider what I'd been taught on a wide range of subjects, and made me question where those beliefs had come from in the first place. When I say my disability played a part in who I became, it wasn't because my disability itself change me, but it helped me meet people who were positive influences on me and my life. but when creatives make characters who experience arcs like this, they ignore this, again, defaulting to the "this was a bad thing that just put all my other problems into perspective" reasoning.

Some iterations of this trope also use disability as a kind of "karmic punishment" where the disability is portrayed as a rightfully deserved punishment for an evil character's deeds - usually something relating to the disability they acquired but not always. An example might look like an evil tyrant who punishes the rebels they captured by cutting off their hands. Eventually, this catches up with him, maybe the friend or a child of one of the rebels is able to capture the tyrant and cuts his hands off as payback so that he gets a taste of his own medicine, a taste of the suffering he imposed on others. Now facing at least one of the same realities of the people he subjugated, he realises the error of his ways. With some pressure from the main characters, he has a change of heart and surrenders himself, steps down to let someone else take his place, or perhaps he decides to start changing policies to be more in-line with these new morals until some other character usurps him, becoming an even bigger threat than the previous former tyrant.

Once again, stories that use a disability like this are still portraying the disability as an overall inherently bad thing, but there's the added layer at play in this example. The thing is, there are a lot of people in real-life who actually believe disability is a punishment from God. I remember one time when I was over in the US, an older lady came and sat down on the seat beside me on the bus and started asking me about my disability and specifically, how I became disabled. This isn't an unusual interaction, it happens fairly regularly whenever I use public transport, but on this particular day, the conversation suddenly shifted when I told her I became disabled when I was very young. This woman, despite the bus-driver's best efforts to get her to stop, ended up lecturing me for an hour and a half (during which time I couldn't move due to how my wheelchair was held in place) about how my disability was punishment from God for my parent's sins. She then tried to convince me to attend her church, claiming they would be able to heal me. And the thing is, this isn't an uncommon experience.

A lot of disabled people are targeted by cults using this same method: they'll convince people their disabilities are a punishment, make them believe they deserved it, that they just weren't good enough, but don't worry, if you repent and come to our specific church we can heal you. There was even a case in Australia recently that uncovered a cult called Universal Medicine, who taught that disabled people were reincarnations of evil people, and that being disabled in this life was their punishment, as well as that parents who have disabled children were being punished for other sinful behaviours. They were found to be operating a disability care service named Fabic that was being paid for by the NDIS, a subsection of the Australian government funded healthcare system that specifically aids disabled Australians by paying for and subsidising treatments, technologies (such as mobility aids) and other services relating to their disability. Fabic was found to be stealing excessive amounts of funding from their disabled clients under the guise of therapies and carer services, but was not actually helping their clients at all. Whether it's just taking advantage of them to get their money, or actually using this logic as a justification to mistreat them, this mentality of "disability is a punishment" actually gets real disabled people hurt or worse, and so seeing it come up in media, even if there is no ill-intent, can be very distressing and uncomfortable for disabled audiences.

So with all this being said, is the disabling change of heart a trope you should avoid in all it's forms and versions? No, but it does need to be handled with extreme care. I do think it should be avoided as a reason for a character becoming evil for the most part. If that really can't be avoided in your story though, at the very least, ensure that you foreshadow the change. Your happy little ray of sunshine, embodiment of sweetness and innocence type character probably isn't going to turn murderous and want revenge for an accident for example. A character who is likely to be driven to that kind of extreme of wanting revenge for their disability, so much so that they become a villain, probably already had at least a few traits that would predispose them to that line of thinking already, before becoming disabled. As for when it goes in the other direction, and you have a character becoming a good guy, avoid using the reasoning that "the disability put things into perspective for me". Instead, if you must use this version of the trope, use the character's new disability as the reason they encountered other people and situations that challenged their views, things they wouldn't have encountered otherwise. No matter the reason though, be very careful to avoid inspiration porn, and as always, try to find a sensitivity reader to give your story a once-over, just to make sure something didn't slip under your radar.

[Thumbnail ID: An illustrated image showing the same elf character twice. The picture of her on the left shows her laughing evilly, two tiny horns protruding through her brown hair. She is wearing a black dress and red shoes. On the right shows her in a yellow dress, sitting in a bright pink wheelchair with her head held eye and her eyes closed. The horns have been replaced with a glowing halo. In the centre is text that reads: "Disability Tropes: The disabling change of heart." /End ID]

[n0vatsu]

Ok ik this isn’t smth I usually do but the internet is in danger and I need to take action

Recently KOSA has got its first pass and we need to stop it from becoming a law ppl r saying call or email your senators to oppose this bill and this is true but what if you’re asking what I don’t have one or what if I don’t live in USA or just can’t do anything since you are a minor well I am going to spread awareness of this petition so the people who are deciding this KOSA stuff can see this and possibly stop KOSA for good right now this petition only has around 10,000 signs and we need a lot more than that

“What is KOSA?”

KOSA aka online children safety act is a internet bill that claims that it will protect children from inappropriate stuff(18+ for ex) but actually It’s gonna end up banning all apps and sites that are “inappropriate” (tumblr for ex) and not only that it’s also gonna give your parents more access on what you are doing on the internet they are gonna view what sites you’ve been on and everything giving minors NO privacy on their phones for ex: you haven’t told your parents your part of the LGGTIA+ community welp this bill is gonna tell your parents that and you’re not ready yet

here is the petition

disclaimer: I did not started this petition I am just trying to spread awareness and attempt to save the internet

You could make a change, you could help stop KOSA and save the internet and save so many content creators from experience of this madness we won’t give up until KOSA is done for good remember anyone can take action to stop something that is wrong when either how to take a step is big or small

Here’s what I want you guys to do

1: sign the petition

2: reblog this post

3: tag your friends and get them to do the same thing

4: if you can, spread this petition (not this post) to other sites for ex: YouTube,Discord,TikTok, or whatever apps you use

5: do anything else that can spread this across the internet

repost this ik I said don’t repost my posts but this is an exception Idc just do whatever you can to spread this petition I am not losing everything over some dumb internet bill

-Tsutsujinothere

THIS IS NOT A JOKE KOSA WILL RUIN THE INTERNET!